Journalist/photographer Chris Parkinson, who lives in Johannesburg, has shot this short film about car spinning in the city. Invited by a fellow photographer, who is also a spinner, he headed out to Nasrec, a racing track on the edge of Soweto. “What I loved about the event is that it seemed to be completely mixed, racially, both in terms of the drivers and the spectators – this is rare in South Africa where most sports are considered to be either black or white. There was a great atmosphere and everybody was there just to appreciate the cars and the driving,” he told me an in email.  Parkinson, born in Britain has been living in South Africa the last 4 years as a cameraman for BBC News.  “I like to think that I came to Africa with an open mind and have really enjoyed travelling widely and meeting so many different people. i wouldn’t say that I have a philosophy about how I film and the stories I tell about the continent–I just try to create something interesting to the viewer. I like to do positive stories and to show what a diverse and fascinating continent it is but at the same time it is impossible to hide from the challenges that the people and governments face –those stories must also be covered.”

You can view his work here.

Further Reading

Who deserves the city?

Colonial urbanism cast African neighborhoods as chaotic, unplanned, and undesirable. In postcolonial Dar es Salaam, that legacy still shapes who builds, who belongs, and what the middle class fears the city becoming.

Djinns in Berlin

At the 13th Berlin Biennale, works from Zambia and beyond summon unseen forces to ask whether solidarity can withstand the gaze of surveillance.

Colonize then, deport now

Trump’s deportation regime revives a colonial blueprint first drafted by the American Colonization Society, when Black lives were exiled to Africa to safeguard a white republic.

On Safari

On our annual publishing break, Gaza’s genocide continues to unfold in real time yet slips from public grasp. This is not just a crisis of politics, but of how reality is mediated—and why we must build spaces where meaning can still take root.

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.