Africa Is a Country

'I wanna be a Nigerian so freaking bad'

Africa Is a Country Podcast
African Five-a-Side Podcast

'I wanna be a Nigerian so freaking bad'

By
Sean Jacobs

[youtube=http://www.youtube.com/watch?v=PzbvPa5npmo&w=560&h=349]

UPDATE: This video, “I wanna be a Nigerian so freaking bad,” by a group of American high schoolers focusing on Nigeria in an AP Comparative Politics class, is a minor Youtube hit. The song is a tongue in cheek rip-off of “Billionaire” by Travis McCoy and Bruno Mars. Why Nigeria? “Our teacher has gone to Nigeria multiple times and helped create the documentary Sweet Crude.”  (A few lazy blogs, cutting and pasting, kept writing that they were Russian.) The video has had more than 10,000 views since it was posted on June 6.  Some decent political insights, but what’s with the guy in the loincloth? On that, one of the students who made the video has responded on Youtube:

… the guy in the “diaper” has nothing to do with the video more of a way to make our class laugh. We know there are not all villages it just fit with the original song … This video in no way was meant to offend or make fun of Nigerians or their culture. We are sorry to all we offended.

Further Reading

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An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

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Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.