If you’re passing through Brussels the next months and you haven’t seen Belgian painter Luc Tuymans’s series Mwana Kitoko: Beautiful White Man yet, go visit his retrospective (Friday 02.18 > Sunday 05.08) at BOZAR. The original 2000 exhibition’s title ‘Mwana Kitoko’ refers to “the rather derogatory nickname Mwana Kitoko, i.e. beautiful boy, which was given to Belgian’s young King Baudouin by the Congolese, and which was promptly changed by the Congolese authorities to the more respectful and authoritative Bwana Kitoko, i.e. beautiful, noble man.”

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Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.

Quando Portugal esquece

Em ‘Contos do Esquecimento,’ Dulce Fernandes desenterrou histórias esquecidas da escravidão em Portugal, desafiando uma mitologia nacional construída sobre viagens marítimas, silêncio e memória seletiva.