If you’re passing through Brussels the next months and you haven’t seen Belgian painter Luc Tuymans’s series Mwana Kitoko: Beautiful White Man yet, go visit his retrospective (Friday 02.18 > Sunday 05.08) at BOZAR. The original 2000 exhibition’s title ‘Mwana Kitoko’ refers to “the rather derogatory nickname Mwana Kitoko, i.e. beautiful boy, which was given to Belgian’s young King Baudouin by the Congolese, and which was promptly changed by the Congolese authorities to the more respectful and authoritative Bwana Kitoko, i.e. beautiful, noble man.”

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Further Reading

Visiting Ngara

A redevelopment project in Nairobi’s Ngara district promises revival—but raises deeper questions about capital, memory, and who has the right to shape the city.

Gen Z’s electoral dilemma

Long dismissed as apathetic, Kenya’s youth forced a rupture in 2024. As the 2027 election approaches, their challenge is turning digital rebellion and street protest into political power.

A world reimagined in Black

By placing Kwame Nkrumah at the center of a global Black political network, Howard W. French reveals how the promise of pan-African emancipation was narrowed—and what its failure still costs Africa and the diaspora.

Securing Nigeria

Nigeria’s insecurity cannot be solved by foreign airstrikes or a failing state, but by rebuilding democratic, community-rooted systems of collective self-defense.

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.

À qui s’adresse la CAN ?

Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters.

Lions in the rain

The 2025 AFCON final between Senegal and Morocco was a dramatic spectacle that tested the limits of the match and the crowd, until a defining moment held everything together.