These photographs (above and below) by South African Rushay Booysen (from Port Elizabeth in the Eastern Cape province) forms part of the  “Africa Uploaded: Experiences Through The Lens” (offline) exhibit next month–December 7 till 31, 2010–in the United Arab Emirates “… curated by Annabelle Nwankwo-Mu’azu and under the patronage of Nobel Laureate, Prof Wole Soyinka.”  The rationale for the exhibit: “… This exhibition focuses on the work of a groundbreaking generation of artists, capturing their experiences as ‘Afrophiles’ and cultural trailblazers. The experience is multi-sensory and employs photography, video projections and film.” Apart from Booysen, the featured artists–all photographers–are Angèle Etoundi Essamba (Cameroon), Uche James Iroha (Nigeria), Antony Kaminju (Kenya), Mandla Mbyakama (South Africa), Aida Muluneh (Ethiopia), Ntare Guma Mbaho Mwine (Uganda/USA) and Lindeka Qampi (South Africa). Anybody passing through the UAE this month?

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.

Quando Portugal esquece

Em ‘Contos do Esquecimento,’ Dulce Fernandes desenterrou histórias esquecidas da escravidão em Portugal, desafiando uma mitologia nacional construída sobre viagens marítimas, silêncio e memória seletiva.