Postcard from Johannesburg

The photographer Krisanne Johnson believes you can learn many things about a country by the way youth live—from fashion to music to home environments.

Image: Krisanne Johnson.

Like many others, US photographer Krisanne Johnson headed to South Africa earlier this month but, as The New Yorker points out, she didn’t go there for the football. Johnson has been to South Africa several times over the years to document youth culture in Johannesburg, including the culture surrounding Kwaito and, most recently, the fashion movement known as the Smarteez.

On her work, Johnson states: “I believe you can learn many things about a country by the way youth live—from fashion to music to home environments. And this is a recurring theme in most of my work, whether in the United States or southern Africa.” I like this.

You can view more of Johnson’s excellent pictures from across southern Africa and the United States here.

Further Reading

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.