Pitch Perfect Friday

Africa is not just represented by five nations in the World Cup. Its diaspora is also here courtesy of Euro-American and South American squads.

Lilian Thuram (15) and Zinedine Zidane (10), two players with African immigrant backgrounds, who defined French football in the 2010s, lining up against Italy in the 2006 World Cup Final in Berlin, Germany (Wiki Commons).

Obviously, over here at Africa is a Country we are fully behind all the national teams representing Africa at the 2010 World Cup. And, yes, unlike Chimamanda Adichie who only counted sub-Saharan teams in the World Cup, we also include Algeria. As this is the second World Cup I am watching as an American citizen, though, I am also leaning to supporting the U.S. national team.

They’re also the most diverse team the U.S. has ever fielded at the World Cup, made up of a considerable number of players who are first generation Americans, representing the America that I know.

The U.S. is a young team, and a good one. Anyone who watched them in the Confederations Cup last year in South Africa, have to agree they’re a bit special. Historically American soccer projects itself as a white sport (as primarily that of European immigrants to the “new world” and of the suburbs who can afford to play in the organized leagues and college football, where the US soccer association recruit most of its promising youngsters. This team, however, has a fair representation of players of African descent: Tim Howard, DeMarcus Beasley, Oguchi Onyewu, Ricardo Clark, Edson Buddle, Jozy Altidore, Maurice Edu and Robbie Findley. Onyewu, who is on the books of AC Milan, and Edu, who plays for Glasgow Rangers in Scotland, are both children of Nigerian immigrants to the U.S.

We will refrain from trodding the well worn path of pointing to the numerous African players in European or South American teams, though France always gets special mention among African fans.

We hope the U.S. team don’t embarrass themselves and go out in the first round. So just in time for the team’s kickoff against Slovenia, we bring some musical inspiration courtesy of The Fader’s “Pitch Perfect” project.

This North America mix, one of the six they commissioned for each continent (save Antarctica), was put together by our friend Chief Boima. Like many of us, he’s got roots in multiple places—something that is always reflected in his music, which by the way is always excellent.

Listen here.

Further Reading

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.