Pitch Perfect Friday

Africa is not just represented by five nations in the World Cup. Its diaspora is also here courtesy of Euro-American and South American squads.

Lilian Thuram (15) and Zinedine Zidane (10), two players with African immigrant backgrounds, who defined French football in the 2010s, lining up against Italy in the 2006 World Cup Final in Berlin, Germany (Wiki Commons).

Obviously, over here at Africa is a Country we are fully behind all the national teams representing Africa at the 2010 World Cup. And, yes, unlike Chimamanda Adichie who only counted sub-Saharan teams in the World Cup, we also include Algeria. As this is the second World Cup I am watching as an American citizen, though, I am also leaning to supporting the U.S. national team.

They’re also the most diverse team the U.S. has ever fielded at the World Cup, made up of a considerable number of players who are first generation Americans, representing the America that I know.

The U.S. is a young team, and a good one. Anyone who watched them in the Confederations Cup last year in South Africa, have to agree they’re a bit special. Historically American soccer projects itself as a white sport (as primarily that of European immigrants to the “new world” and of the suburbs who can afford to play in the organized leagues and college football, where the US soccer association recruit most of its promising youngsters. This team, however, has a fair representation of players of African descent: Tim Howard, DeMarcus Beasley, Oguchi Onyewu, Ricardo Clark, Edson Buddle, Jozy Altidore, Maurice Edu and Robbie Findley. Onyewu, who is on the books of AC Milan, and Edu, who plays for Glasgow Rangers in Scotland, are both children of Nigerian immigrants to the U.S.

We will refrain from trodding the well worn path of pointing to the numerous African players in European or South American teams, though France always gets special mention among African fans.

We hope the U.S. team don’t embarrass themselves and go out in the first round. So just in time for the team’s kickoff against Slovenia, we bring some musical inspiration courtesy of The Fader’s “Pitch Perfect” project.

This North America mix, one of the six they commissioned for each continent (save Antarctica), was put together by our friend Chief Boima. Like many of us, he’s got roots in multiple places—something that is always reflected in his music, which by the way is always excellent.

Listen here.

Further Reading

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.

The sound of revolt

On his third album, Afro-Portuguese artist Scúru Fitchádu fuses ancestral wisdom with urban revolt, turning memory and militancy into a soundtrack for resistance.

O som da revolta

No seu terceiro álbum, o artista afro-português Scúru Fitchádu funde a sabedoria ancestral com a revolta urbana, transformando memória e militância em uma trilha sonora para a resistência.

Biya forever

As Cameroon nears its presidential elections, a disintegrated opposition paves the way for the world’s oldest leader to claim a fresh mandate.

From Cornell to conscience

Hounded out of the United States for his pro-Palestine activism, Momodou Taal insists that the struggle is global, drawing strength from Malcolm X, faith, and solidarity across borders.

After the uprising

Following two years of mass protest, Kenya stands at a crossroads. A new generation of organizers is confronting an old question: how do you turn revolt into lasting change? Sungu Oyoo joins the AIAC podcast to discuss the vision of Kenya’s radical left.

Redrawing liberation

From Gaza to Africa, colonial cartography has turned land into property and people into populations to be managed. True liberation means dismantling this order, not redrawing its lines.

Who deserves the city?

Colonial urbanism cast African neighborhoods as chaotic, unplanned, and undesirable. In postcolonial Dar es Salaam, that legacy still shapes who builds, who belongs, and what the middle class fears the city becoming.