Mos Def and the Battle of Algiers

What is that sample of Arabic during Slick Rick’s verse on Mos Def's "The Auditorium"?

Ali la Pointe, the lead character in 'Battle of Algiers' (1966), one of the first narratives on screen or in print to put Algerians at the center.

I have had rap star Mos Def ‘s new album “The Ecstatic,” on repeat, especially the record “The Auditorium,” featuring Slick Rick.  On hearing “The Auditorium” for the first time, I knew immediately where I heard the beat driving the song: Madlib’s “Beat Kondukta in India: Vol 3 &4.” But what is that sample of Arabic during Slick Rick’s verse? Later while watching the classic film, “Battle of Algiers,” again (for umpteenth time), it hit me:  It’s a piece of dialogue from Battle of Algiers. At the start of the film, the lead character Ali la Pointe, the Algerian liberation fighter but still a petty criminal at this point, is doing a card trick on a group of unsuspecting bystanders while repeating the same phrase in Arabic. There it was.

I loved how Gillo Pontecorvo (he also directed the film) and Franco Solinas introduced Ali in the script: ” Two hands are moving; one over the other, they criss-cross with incredible speed; at the same time, they are shifting three small pieces of wood which appear to be identical. The hand movements are marked by a kind of Algerian CHANT. From time to time, the pieces of wood are overturned for a split second so that the other sides are visible. Robust hands, thick, unusually agile for their size. The hands of Ali la Pointe, younger then, twenty- four years old …”

Listen.

Further Reading

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.

Atayese

Honored in Yorubaland as “one who repairs the world,” Jesse Jackson’s life bridged civil rights, pan-Africanism, empire, and contradiction—leaving behind a legacy as expansive as it was imperfect.

Bread or Messi?

Angola’s golden jubilee culminated in a multimillion-dollar match against Argentina. The price tag—and the secrecy around it—divided a nation already grappling with inequality.

Visiting Ngara

A redevelopment project in Nairobi’s Ngara district promises revival—but raises deeper questions about capital, memory, and who has the right to shape the city.

Gen Z’s electoral dilemma

Long dismissed as apathetic, Kenya’s youth forced a rupture in 2024. As the 2027 election approaches, their challenge is turning digital rebellion and street protest into political power.

A world reimagined in Black

By placing Kwame Nkrumah at the center of a global Black political network, Howard W. French reveals how the promise of pan-African emancipation was narrowed—and what its failure still costs Africa and the diaspora.

Securing Nigeria

Nigeria’s insecurity cannot be solved by foreign airstrikes or a failing state, but by rebuilding democratic, community-rooted systems of collective self-defense.