Mos Def and the Battle of Algiers

What is that sample of Arabic during Slick Rick’s verse on Mos Def's "The Auditorium"?

Ali la Pointe, the lead character in 'Battle of Algiers' (1966), one of the first narratives on screen or in print to put Algerians at the center.

I have had rap star Mos Def ‘s new album “The Ecstatic,” on repeat, especially the record “The Auditorium,” featuring Slick Rick.  On hearing “The Auditorium” for the first time, I knew immediately where I heard the beat driving the song: Madlib’s “Beat Kondukta in India: Vol 3 &4.” But what is that sample of Arabic during Slick Rick’s verse? Later while watching the classic film, “Battle of Algiers,” again (for umpteenth time), it hit me:  It’s a piece of dialogue from Battle of Algiers. At the start of the film, the lead character Ali la Pointe, the Algerian liberation fighter but still a petty criminal at this point, is doing a card trick on a group of unsuspecting bystanders while repeating the same phrase in Arabic. There it was.

I loved how Gillo Pontecorvo (he also directed the film) and Franco Solinas introduced Ali in the script: ” Two hands are moving; one over the other, they criss-cross with incredible speed; at the same time, they are shifting three small pieces of wood which appear to be identical. The hand movements are marked by a kind of Algerian CHANT. From time to time, the pieces of wood are overturned for a split second so that the other sides are visible. Robust hands, thick, unusually agile for their size. The hands of Ali la Pointe, younger then, twenty- four years old …”

Listen.

Further Reading

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.