Nicholas Kristof Discovers Angola
This is now our eleventh piece on Nicholas Kristof. This needs to end. He has to stop somehow.
This is now our eleventh piece on Nicholas Kristof. This needs to end. He has to stop somehow.
The website of the international edition of the The New York Times website debuted two dozen new "international" columnists this week. One of them is an AIAC contributor.
We hope the “women of Africa,” who are being discovered yet again, appreciate all the good work being done for them.
Nicholas Kristof believes his journalism must contain a familiar entity from Western society – a white American – to make the content accessible to his readers.
Oprah, like Kristof, turns a personal desire to help sufferers of abuse into a more than acceptable African development program.
We couldn't resist including a post with some of the lowlights of 2011.
What happens when humanitarian agencies ditch the tried-and-trusted fundraising method of splashing disaster porn across screens and news pages?
Sierra Leone is a tough place for women and girls, maybe among the worst. But that doesn't mean they’re waiting for Nicholas Kristof to save them.
Also how Call of Duty gets the white South African mercenary accents in its game right. Weekend Special is here.
In The New York Times columnit's world, Kenya is just another Third World site of pathos, despair, degradation, and fallen women waiting to be saved.
Nicholas Kristof of The New York Times, for all the people he's helped, lacks critical self-reflection.
The New York Times columnist, whose reporting is very influential in elite public opinion about Africa, prefer white "bridge characters."
Nicholas Kristof, The New York Times columnist who has made Africa his beat, lectures poor Congolese about their leisure time. No word about the larger structures causing their misery in the first place.
The New York Times columnist traveled to Zimbabwe and wrote two totally different stories for his paper that read like night and day.
Nicholas Kristof's journalism, which is largely focused on Africans, is exhausting to watch. And it is always about himself.