'The Invader'
The dramatic opening scene of Belgian filmmaker and artist Nicolas Provost’s new feature film, “The Invader,”
The dramatic opening scene of Belgian filmmaker and artist Nicolas Provost’s new feature film, “The Invader,”
Film Review by Elliot Ross* Making a film about an artist whose work is as beautiful
I'm still waiting for that entrepreneur who'll start a Netflix for African films. I'll be a customer.
Short video piece on Jelani Gibson, a 16-year-old protester who traveled with his grandmother from Pontiac, Michigan
Islam first came to North America with slavery, yet no major studio film has centered on the life of a Muslim American slave. Ibn Said's remarkable life could be a start.
The famine in the Horn of Africa has revived the debate about “starvation photography.” The blog
An Interview with film director Oliver Hermanus, who has made "Skoonheid," a film about homophobia, sexual violence and white Afrikaner masculinity. Hermanus is a coloured and black director.
Journalists in South Africa are picking up on how the film, "The Bang Bang Club," treats some of the Bang Bang Club's black colleagues. And other Weekend Specials.
Journalist/photographer Chris Parkinson, who lives in Johannesburg, has shot this short film about car spinning in
The documentary “Dear Mandela,” about three young leaders of a shack dwellers movement in Durban, South
[youtube=http://www.youtube.com/watch?v=yD2ZHiGmws8&w=600&h=373] The program of selected films and documentaries for this year’s Rwanda Film Festival going down
Kwa Heri Mandima (Goodbye Mandima) is a short film by the French-Dutch director Robert-Jan Lacombe doing
A film about former Liberian child soldier, Joshua Milton Blahyi, adds to his celebrity and his reputation as a skilled manipulator.
One in ten young people on Cape Town's Cape Flats finish high school. The highlight of their school career - and sometime their lives - is prom, known as the matric ball.
Soviet cinema had a major impact on the narratives, styles, and tone of African filmmakers.
The Congolese film, Viva Riva, is no high-minded, French-funded "cinema" — it’s a gritty gangster film.
An interview with the founders of a media center providing technical, artistic and vocational support to filmmakers in Freetown.
The trailer for the feature film “Short Cut” (to be directed by Norman Maake) about the
I recently missed out on seeing a special screening (at BAM in Brooklyn) of “Restless City,”