Pretty in Pink

One in ten young people on Cape Town's Cape Flats finish high school. The highlight of their school career - and sometime their lives - is prom, known as the matric ball.

Photos: Araminta de Clermont .

In 2009 the British photographer Araminta de Clermont made a set of portraits of high school seniors in a poor part of Cape Town, South Africa (locally known as matric) in their prom night (locally known as a matric ball) garb. The subjects were all from parts of the Cape Flats, that expanse of mostly working class and poor ghettos in Cape Town.  The photographs were published in UK media where Grant Cummings, a producer at Clingfilm TV, saw them. He got in contact with De Clermont and Cape Town filmmaker  Benitha Vlok to make a feature documentary about the matric balls. De Clermont identified the main characters and along with Vlok decided to film four high schoolers on the day of the ball as they prepare for the occasion, which for some is the highlight of their young lives (I should know, I went to one of those schools). The four stars of the film were from Elsies River, Hanover Park and Manenberg: three very poor, depressed working class coloured townships.  The final product,  “Shanty Town Cinderrellas,”– a 10 minute short–was directed and edited by Vlok. De Clermont is credited as the film’s associate producer and Cummings, the producer.

In an email, Vlok explained that the story was really shaped in the editing: “I felt it was important that the issues and the odds these kids face need to be evident, but not treated as an expose on the Cape Flats.

“At the end of the day we are dealing with these characters’ realities and the truth of their circumstances were unavoidable. Once we understand this, the buildup to the Matric Ball became vitally important to redeem these young people an portray the hope they have in their own futures. They really were amazing young people.”

I asked her about the obvious contrast to matric balls in Cape Town’s mostly white suburbs: “… The same odds do not come into play. One in ten young people in the Cape Flats finish their school careers. This is intense, therefore the celebration is so much more. It is the highlight of the year. Entire communities come out to support their hopefuls. The matrics [seniors] get treated as superstars for just that reason. They carry the hope for everyone.”

Watch the film here.

Further Reading

On Safari

On our annual publishing break, Gaza’s genocide continues to unfold in real time yet slips from public grasp. This is not just a crisis of politics, but of how reality is mediated—and why we must build spaces where meaning can still take root.

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.

The grift tank

In Washington’s think tank ecosystem, Africa is treated as a low-stakes arena where performance substitutes for knowledge. The result: unqualified actors shaping policy on behalf of militarists, lobbyists, and frauds.

Kagame’s hidden war

Rwanda’s military deployments in Mozambique and its shadowy ties to M23 rebels in eastern Congo are not isolated interventions, rather part of a broader geopolitical strategy to expand its regional influence.