• Katarina Hedrén

• Katarina Hedrén

Filmmaker Philippa Ndisi-Herrmann sees film as a powerful tool to inspire compassion by briefly letting us live another’s life and expand our understanding.

• Katarina Hedrén

• Janette Yarwood

The youthful and creative art scene in Senegal's capital is the subject of director Sandra Krampelhuber’s documentary film, "100% Dakar."

• Katarina Hedrén

The filmmaker considers himself to be a filmmaker who happens to be African: He is driven by the art of storytelling; so his context is African but his film language is global.

• Katarina Hedrén

• Paula Akugizibwe

• Nosarieme Garrick

• Katarina Hedrén

As a filmmaker, Matsetela wants to be an alternative voice, in a topography that’s filled with stories by others, like Django Unchained, defining black people.

• Sarah El-Shaarawi

Egypt has a sexual harassment problem. Two young women decided to make a film about it.

• Katarina Hedrén

• Dylan Valley

The Sudanese film, "Beats of the Antonov," explores the connections between the bombs of oppression and the resilience of culture.

• Brittany Meché

The politics of three prominent South African films: the classics 'Come Back Africa,' late-1980s 'Mapantsula' and Oscar winner 'Tsotsi.'

• Rustum Kozain

James Matthews has the distinction of being one of the first Black Consciousness poets and publishers in South Africa. He is the subject of a documentary by director Shelley Barry.

• Katarina Hedrén

• Duane Jethro

The struggle over the price of bread in South Africa is the struggle for adequate nourishment, and securing the right of the poor to flourish.

• Aaron Leaf

Most films about Liberia are feature films or gritty documentaries focus almost perversely on the horrors of the civil war. Not "Out of my hand."

• Zachary Levenson

The last third or so of Director Phil Harrison’s film about Irish multinationals in South Africa suffers from needless flattening.

• Nosarieme Garrick

• Ts'eliso Monaheng