The West are not those most affected by terrorism
Malian director Abderrahmane Sissako’s film "Timbuktu" complicates the Jihadist narrative in Africa.
Film
5 Questions for a Filmmaker: Jim Chuchu
The Nairobi-based filmmaker and musician aims to bring stories, pictures and sound together to create something immutable on the screen.
Maputo’s masked Mapiko dancers
A new film about how Mozambican youth express and negotiate the country's post-socialist modernity through dance.
Your concepts of African belonging
The El Foukr R'Assembly collective wants to challenge dominant ideas of African identity and cultural diffusion on both sides of the Sahara.
5 Questions for a Filmmaker: Newton Aduaka
For Aduaka, cinema is important if it illuminates or resonates something that makes up the essence of this thing called human nature.
The first feature film out of the DRC in over 28 years
Viva Riva! director, Djo Tunda Wa Munga, on African self-representation, and opening a production company in "chaos."
5 Questions for Filmmaker: Branwen Okpako
Okpako wants to show people as they see themselves but in a way that others can recognize themselves as well.
5 Questions for a Filmmaker: Kivu Ruhorahoza
Ruhorahoza wished he made "Sans Soleil" by Chris Marker: "The film is a good example of the work of a filmmaker who has reached maturity and an artist who is truly free."
Mohamed so-and-so from such-and-such
Ridley Scott's "Exodus" and deeply rooted issues of bigotry and racism in Hollywood.
The history of Nigeria’s 1990s democracy movement
What has been the personal legacy and costs to the Abiola women in Nigeria's struggle for democracy.
Is it a good idea to use blackface to shame racism?
The Dutch filmmaker Sunny Bergman put on blackface to fight the racist caricature Zwarte Piet.
Five Questions for: Filmmaker Philippa Ndisi-Herrmann
Filmmaker Philippa Ndisi-Herrmann sees film as a powerful tool to inspire compassion by briefly letting us live another’s life and expand our understanding.
Dakar booms with life
The youthful and creative art scene in Senegal's capital is the subject of director Sandra Krampelhuber’s documentary film, "100% Dakar."
5 Questions for a Filmmaker: Jahmil Qubeka
The filmmaker considers himself to be a filmmaker who happens to be African: He is driven by the art of storytelling; so his context is African but his film language is global.
