
5 Questions for a Filmmaker: Hawa Essuman
Essuman believes that confining any storyteller to labels like "African stories" is a disservice to the story and the one telling it.
Essuman believes that confining any storyteller to labels like "African stories" is a disservice to the story and the one telling it.
Malian director Abderrahmane Sissako’s film "Timbuktu" complicates the Jihadist narrative in Africa.
The Nairobi-based filmmaker and musician aims to bring stories, pictures and sound together to create something immutable on the screen.
A new film about how Mozambican youth express and negotiate the country's post-socialist modernity through dance.
Something is shifting in South Africa. White privilege is a hot topic, specifically in print and
The El Foukr R'Assembly collective wants to challenge dominant ideas of African identity and cultural diffusion on both sides of the Sahara.
For Aduaka, cinema is important if it illuminates or resonates something that makes up the essence of this thing called human nature.
Viva Riva! director, Djo Tunda Wa Munga, on African self-representation, and opening a production company in "chaos."
Ever wonder what inspires an artist to paste red-lipped Cheshire cat grins over the mouths of
Okpako wants to show people as they see themselves but in a way that others can recognize themselves as well.
Ruhorahoza wished he made "Sans Soleil" by Chris Marker: "The film is a good example of the work of a filmmaker who has reached maturity and an artist who is truly free."
Ridley Scott's "Exodus" and deeply rooted issues of bigotry and racism in Hollywood.
What has been the personal legacy and costs to the Abiola women in Nigeria's struggle for democracy.
Teddy Goitom is a Swedish-Ethiopian/Eritrean content producer and the founder of Stocktown (1998), “a cultural movement celebrating
The Dutch filmmaker Sunny Bergman put on blackface to fight the racist caricature Zwarte Piet.
Legendary documentarian Jihan El-Tahri started her career as a journalist, working as a news agency correspondent
Born in Bonn in 1985, Philippa Ndisi-Herrmann is a Kenyan and German photographer and filmmaker. She is intrigued
In 1995 filmmaker and griot Dani Kouyaté won the Golden Stallion – The award for Best
The youthful and creative art scene in Senegal's capital is the subject of director Sandra Krampelhuber’s documentary film, "100% Dakar."
The filmmaker considers himself to be a filmmaker who happens to be African: He is driven by the art of storytelling; so his context is African but his film language is global.