• Sean Henry Jacobs

Black South Africans' concurrent lives of dread and poverty contradicted the commercialism and profits that went with 2010 World Cup.

• Megan Eardley

The film, "Veejays," comes across as an earnest attempt to learn about the ways people are remixing dominant culture industries to make their own.

• Tom Devriendt

• Mikko Kapanen

Does it matter whether the hip-hop artist Ismael Sankara is related to the great Burkinabe leader, Thomas Sankara?

• Tom Devriendt

• Boima Tucker

There needs to be another solution than free market capitalism globally to promote artistic creativity. The experience from Sierra Leone is not encouraging.

• Basia Cummings

• Basia Cummings

• Sean Henry Jacobs

African football is often depicted with gloom, while European football is either reduced to hooliganism or celebrated through nostalgic 'greatest hits' and childhood wonder on film.

• Tom Devriendt

A critic of the documentary film, "The Black Power Mixtape 1967-1975," concludes that as an insight into black power, the documentary is utterly incoherent and useless.

• Elliot Ross

• Sean Henry Jacobs

I'm still waiting for that entrepreneur who'll start a Netflix for African films. I'll be a customer.

• Tom Devriendt

The filmmaker hopes Congolese in Belgium can be given a stage to offer their own history and projections of Congo.

• Kathryn Mathers

Who are the Kenyans who needed a soap opera as an impetus to change their attitudes about political violence and why did they need it?

• Sean Henry Jacobs

• Herman Wasserman

British fashion photographer Rankin sets out on 'his own personal journey' to understand South Africa. The result is actually quite good.

• Sean Henry Jacobs

• Sean Henry Jacobs

Sorious Samura joined African migrants trying to make it to Europe for menial jobs and loneliness.

• Sean Henry Jacobs

European media's lopsided attempts to make sense of South Africa ahead of the World Cup, continues.