• Steffan Horowitz

A Kenyan film asks in order to evolve, what part of ourselves do we keep and what part do we leave behind.

• Sean Henry Jacobs

“Thierry Henry 1:1” is proof of what happens when the marketing men make films about football.

• Tom Devriendt

• Aaron Leaf

In "Searching for Sugar Man," Rodriguez the man feels more like an awkward prop in a story of white redemption rather than the star of his own movie.

• Basia Cummings

How the humanitarian movement grew in close relation to the democratization of moving image technologies.

• Dennis Laumann

Most of the same issues and personalities that featured in the 2008 elections dominate in the 2012 elections.

• Sean Henry Jacobs

Black South Africans' concurrent lives of dread and poverty contradicted the commercialism and profits that went with 2010 World Cup.

• Megan Eardley

The film, "Veejays," comes across as an earnest attempt to learn about the ways people are remixing dominant culture industries to make their own.

• Tom Devriendt

• Mikko Kapanen

Does it matter whether the hip-hop artist Ismael Sankara is related to the great Burkinabe leader, Thomas Sankara?

• Tom Devriendt

• Boima Tucker

There needs to be another solution than free market capitalism globally to promote artistic creativity. The experience from Sierra Leone is not encouraging.

• Basia Cummings

• Basia Cummings

• Sean Henry Jacobs

African football is often depicted with gloom, while European football is either reduced to hooliganism or celebrated through nostalgic 'greatest hits' and childhood wonder on film.

• Tom Devriendt

A critic of the documentary film, "The Black Power Mixtape 1967-1975," concludes that as an insight into black power, the documentary is utterly incoherent and useless.

• Elliot Ross

• Sean Henry Jacobs

I'm still waiting for that entrepreneur who'll start a Netflix for African films. I'll be a customer.

• Tom Devriendt

The filmmaker hopes Congolese in Belgium can be given a stage to offer their own history and projections of Congo.