
A very American story
The long and wondrous life of Hassan Ouakrim, the "Cultural Ambassador" of the Maghreb to the United States.
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The long and wondrous life of Hassan Ouakrim, the "Cultural Ambassador" of the Maghreb to the United States.
The works of Frantz Fanon can be read as architectural renderings of rights, futures, and generations toward a “very different Afro-futurism.”
Did Frantz Fanon ask Léopold Sedar Senghor for a job in 1953? And what might have happened to postcolonial psychiatry in Senegal if Senghor had given him one?
How African literature is taught reveals a depressing lack of knowledge concerning North African writers and their works.
Any talk about green transition and sustainability must not become a façade for neocolonial schemes of plunder and domination.
What’s fueling the military takeovers sweeping across West and Central Africa?
New films from Mila Turajlić salvages footage from the Yugoslavian news archives to tell a story of non-aligned internationalism against Cold War bipolarity.
This week on the African Five-a-side podcast, we take a look at the kick off of the African qualifiers for the 2026 FIFA World Cup.
A new book shows how Europe is using the energy transition to exploit and under-develop the Arab world.
In Mali, Wagner militias are terrorizing the Fula, Tamasheq (Tuareg), and Moura population.
At the Euros, the French national football team isn’t talking about football, but the threat posed by a resurgent, xenophobic right-wing in Europe.
'Funeral for Justice' is a bracing recording that blends the critical sensibility of Frantz Fanon with the melodies of a genre born from an ongoing liberation struggle.
Assassinated in 1978, Henri Curiel was a Jewish Egyptian Marxist whose likely killers include fascist French-Algerian colons, the apartheid South African Bureau of State Security, and the Abu Nidal Organization.
The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.
What would Fanon say about the ongoing genocide in Palestine?
What explains this reluctance to discuss the permanence of symbols honoring slave traders and colonialists in the public spaces in both France and its former colonies?