
Africa for Africans
After World War II, the Soviet Union and the United States were not only locked in an ideological struggle with each other, but also competed with an anticolonial vision of modernity, an ideology which is still influential today.
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After World War II, the Soviet Union and the United States were not only locked in an ideological struggle with each other, but also competed with an anticolonial vision of modernity, an ideology which is still influential today.

South Africa’s ICJ case against Israel is the latest example of its ability to act as a normative superpower, exceeding even the great powers in shaping global moral discourse.

What can the complete civil disobedience of the Sudanese Professionals Association teach us at a moment when belief in the efficacy of nonviolent protest is in decline?

Once a symbol of anti-imperial unity, BRICS now risks becoming the very thing Bandung opposed: a club of powerful states reproducing global inequality in a new key.

At the 13th Berlin Biennale, works from Zambia and beyond summon unseen forces to ask whether solidarity can withstand the gaze of surveillance.

The vivid imagery of Zimbabwean artist Portia Zvavahera touches powerfully on themes such as womanhood, religion and spirituality.

On the AIAC podcast, we speak with Feyzi Ismail about Nepal’s Gen Z uprising that toppled the ruling establishment.

It is still okay to create the most objectionable stereotypes about certain Africans and for it to be considered fine. This time: India.

Xenophobia and questions of belonging haunt Indian South Africans. What does that mean for solidarity with Black South Africans?

Ishmael Reed explores the future of race in America in new work, focusing in on black-South Asian solidarities.

What came across as recognition of Africa Is a Country from a US State Department official, was more a case of speaking too fast.

What is that sample of Arabic during Slick Rick’s verse on Mos Def's "The Auditorium"?

Africa's first Nobel literature laureate is accused of Islamophobia. It is not his first time.

Nicholas Kristof's journalism, which is largely focused on Africans, is exhausting to watch. And it is always about himself.

Madlib's "Medicine Show No. 3: Beat Konducta in Africa" is about African liberation in the 1970s, especially south of the Limpopo.

For those doubting South African can host a successful World Cup, the country has a long history of successfully hosting big tournaments.

Lara Pawson's blog post about the way elites and media in the West talk, write and act about the African continent and its people, though hardly to them, is worth reposting here.

This film "Mugabe and the White African," is too busy picking sides, to ignore and obscure land dispossession by Whites of Blacks, instead hoping to posit White farmers as outside of history.

if Africa wants to re-imagine itself it will have to look somewhere else than to Europe which “seems to be gripped by an enormous desire for apartheid.”

…India in the 1960s. And not if you read his The Loss of El Dorado (1969), a