Search Result(s) for: “Diaspora”
The significance of ending the ongoing war in Sudan cannot be overstated, and represents more than just an end to violence. It provides a critical moment for the international community to follow the lead of the Sudanese people.
In the latest controversies about race and ancient Egypt, both the warring ‘North Africans as white’ and ‘black Africans as Afrocentrists’ camps find refuge in the empty-yet-powerful discourse of precolonial excellence.
What economic gains are in the peace deal between longstanding foes?
A redevelopment project in Nairobi’s Ngara district promises revival — but raises deeper questions about capital, memory, and who has the right to shape the city.
Interview with curators Sylviane Diouf (Schomburg Center) and Joaneath Spicer (Walters Art Museum) about the African presence in Western and Asian art.
This tumblr focuses on reading, researching, and writing histories of intimacy, sex, and sexuality during Atlantic slave period.
An US congressional delegation to Eritrea — the first in 14 years — which included Ilhan Omar, got little attention in mainstream media. Why?
A conversation with members of Sudan’s resistance committees and Magdi elGizouli.
Nigerian and South Sudanese filmmakers give voice to the search for identity, stability, and belonging through the lens of youth and migration.
As Sudanese continue to chant “Just fall, that is all” against the regime, doctors pay a hefty price for standing with them.
Music’s ingratiating moral mask has withered, revealing a disfigured face whose true ethical philosophy is, as Lauryn Hill once noted, “paper thin.”
The King of Bubu, Janka Nabay, translates this music and his culture for rock kids in the trendy hangouts of New York City.
Despite the country’s marker as a “racial democracy,” racism and prejudice still persist in Brazil, often violently and with deadly consequences.
A conversation on books, borders, and belonging with Somali-American writer, Abdul Adan.
Kaleidoscope magazine has done an "Africa" issue; it wants to walk a fine line between identity politics and universalism.
Asking whether white people should curate African art anymore, may be outdated. Instead we should ask: what is African art now and does the category matter anymore?
The island nation's celebrated political system was never a gift bestowed, but seized through sheer agency and hard-fought autonomy.
Decolonizing museums requires more than knowledge exchange and lending back stolen artifacts.