A sweeping, jazz-scored exploration of Cold War intrigue and African liberation, Johan Gimonprez’s 'Soundtrack to a Coup d’Etat' lays bare the cultural and political battlegrounds where empires, artists, and freedom fighters clashed.
On our year-end publishing break, we reflect on how 2024’s contradictions reveal a fractured world grappling with inequality, digital activism, and the blurred lines between action and spectacle.
Materially speaking, oil is simply a sticky, black goo. It doesn’t have any innate power separate from the kind of society we live in—capitalism.
Colonial-era censorship bodies continue to stifle African creativity, but a new wave of artists and activists are driving a pan-African push for reform.
Western missteps in Africa are creating an opening for Russia to deepen its influence.
In his debut novel, Thaer Husien remixes genre and takes readers on a psychedelic ride through a dystopian yet disturbingly familiar future Palestine.
The countless African artifacts that continue to be held in Western institutions after being obtained illegally send a violent message that makes efforts toward reconciliation inconsequential.
At Africa Energy Week, the language of resource sovereignty disguised a new form of climate denial that appropriates progressive rhetoric in service of fossil fuel companies.
On the deplatforming of 'African Stream.'
While feminist movements have made significant strides in naming, recognizing, and advocating against femicide, the rest of the world appears disturbingly indifferent.
The debacle around Ta-Nehisi Coates' latest book shows us that no matter a writer's individual acclaim, the liberal media establishment will never tolerate anything that fundamentally challenges its racist edifice.
African contributions to the globalized world cannot be celebrated while the place occupied by African peoples remains on the periphery.
A contribuição africana no mundo globalizado não pode ser celebrada enquanto o lugar ocupado pelos povos africanos for o da periferia.
To navigate multipolarity, the continent needs a common narrative that strategically mediates its conversations with China and other world powers.
No matter where they are, the children of African heads-of-state live lives comically far-removed from those of the average citizen in their home countries.
Without an immediate halt to US arms to Israel, it’s hard to see why Israel should stop slaughtering civilians in Gaza and Lebanon.
A new Disney short film series dramatizes traditional African storytelling for the big screen. Does it succeed?
In 1973, Josie Fanon interviewed then-ANC president Oliver Tambo about Israel and apartheid South Africa. Originally printed in French, it is now available in English for the first time.
En 1973, Josie Fanon a interviewé Oliver Tambo, alors président de l’ANC, à propos d’Israël et de l’apartheid en Afrique du Sud. Il est désormais disponible pour la première fois depuis sa publication originale.
On our annual publishing break, we ask: if the opposite of “weird” is normal, what if normal is equally problematic?