
Kassav, and Jozi’s love for zouk
Kassav are a band formed in Paris in ’79. They were in Johannesburg recently, where they
Kassav are a band formed in Paris in ’79. They were in Johannesburg recently, where they
Okwui Enwezor’s “All the World's Futures” is a radical attempt at shifting the paradigms of biennale models to create a more democratic society of artists and exhibition spaces.
South African hip hop audiences blatantly ignore Ill Skillz’ craft because they're from Cape Town.
The latest issue of the Chronic, a quarterly gazette offshoot of the “project-based mutable object” that
What a very white book launch in a very black neighborhood in downtown Johannesburg reveals.
When the rapper Akala called out Britain's racism on Frankie Boyle's show.
Here’s your weekend selection for May 23rd, 2015. To kick things off, just stop what you’re
Badilisha is rare: an African project funded by a mix of government and private art donors, facilitating media access to African poets.
An interview with director Tala Hadid and producer Danny Glover of "A Narrow Frame of Midnight," set amidst political turmoil in Morocco.
In May 2015, Lesotho lost one of its most vibrant and creative minds, the photographer Hlompho Letsielo.
Yvonne Seon, later a college professor, thought Lumumba was a “decisive leader” that “cared deeply about his people."
The film 'Red Leaves’ is a timely depiction of the Ethiopian-Israeli struggle.
Here is our weekend round up of audio and visuals from around the African Internet… Kicking
Literary festivals are usually a disappointment. Even when a cherished writer is speaking, the chances are you’d
Hamba kahle, B.B. King (1925-2015)
Looking inside ourselves and working on the dark hearts of our colonial crap.
Charlayne Hunter-Gault’s ‘Corrective Rape: Discrimination, Assault, Sexual Violence, and Murder Against South Africa’s LGBT Community’ is
Namibian filmmaker, Perivi John Katjavivi: The black voice in cinema occurs on the margins and is filtered, distorted, watered-down, negotiated, corrupted.
To bear witness to the cacophony of Rhodes Must Fall, as though trying to recall the days of a revolution I was born too late to witness.
“Images”, as the Chilean visual artist Alfredo Jaar has said, “are not innocent.” From their creation,