The corporatization of food in South Africa
We can only end hunger when people have control over what they eat and how that food is produced.
We can only end hunger when people have control over what they eat and how that food is produced.
The recent #EndSARS protest in Nigeria reveals how young people carve out agency in the context of Nigeria's dysfunctional and violent state.
New biographies reveal Wangari Maathai as a reflective scholar and critical thinker.
What could or should full decolonization in Kenya look like?
The risk of obesity increases with socioeconomic status in several African countries, unlike in their European counterparts with comparable income levels.
Les études littéraires africaines devraient donner plus d'espace aux nombreux écrivains vivant sur le continent, dans les langues africaines.
Senegalese writer, Boubacar Boris Diop, on the problematic circuits of teaching African literature first legitimized in Europe in African universities
A new biography of Tanzania's first president, Julius Nyerere, reveals a complicated legacy.
Why the World Food Program doesn't deserve the 2020 Nobel Peace Prize.
Director Abba T. Makama's 'The Lost Okoroshi,' attempts to unpacks identity through masquerades in an increasingly ethnocentric Nigeria.
Despite increased global debate over refugee issues, few discuss these issues in terms of refugee histories, especially histories of Africans seeking refuge in and beyond the continent.
African Studies scholars write for the gate-keepers, to prove our own legitimacy, for the stimulation of conferences and the relief of rising recognition by algorithms.
The Nigerian drama 'Òlòtūré,' about sex work and sex trafficking in the country’s commercial capital, which premiered on Netflix, is mostly uncomfortable. And not in a good way.
Influence exhilarates. It also makes people nervous. Writers, artists, scholars, researchers—we all seem to want to be “influential.” Less often do we want to admit to being “influenced.”
The drummer Gilbert Matthews was a visionary of South African jazz. The silences on his passing from official quarters are discordant.
It is unfair to expect coherent politics from Naira Marley or his fans, the Marlians. We should, instead, chastise the Nigerian state for stifling its people and keeping its young perpetually waiting.
A new film explores the perspectives of Sudanese-American artists navigating their relationships and responsibilities to the revolution back home.
The viral sensation “Jerusalema” and its dance challenge reveals a deeper longing and desire to re-imagine the world.
In the first part of a two-part post, the author challenges conventional progressive approaches to “race,” finding them to be untenable with non-racialism.