
Reimagining Ghana’s Cinemaspace
Ghanaian-American filmmaker Akosua Adoma Owusu wants to foster a new wave of Ghanaian experimental filmmakers.

Ghanaian-American filmmaker Akosua Adoma Owusu wants to foster a new wave of Ghanaian experimental filmmakers.
Oddisee (real name: Amir Mohamed El Khalifa; he has a Sudanese dad) is on tour in

Recognition of the contributions to the New York cultural landscape by African immigrants remains strangely absent from the average New Yorker’s frame of reference.

Ghana is currently experiencing a surge of contemporary performing and visual arts. Here are some notes on goings on about Accra-town.

We don't want to see a film about what might have been, however seductive that aspect of Burkina Faso's history is. But what was achieved.

The mistake of directing the hardline scorn we reserve for say Madonna and Fox News at small independent filmmakers or young volunteers at NGO's in Africa.

Europe's new provincialism exacts a human toll that can only be accepted with a mind-set that subscribes to nothing more than a new barbarism.

An Interview with Nigerian Filmmaker Tunde Kelani.

Kevin Sylvester and Wilner Baptiste are the classically trained violin and viola playing duo that anchor Black Violin.

The idea that a post-racial South Africa can only be achieved through the adoption of white ideals, culture, and norms by black South Africans.
Your weekly dose of 10 new music videos. First up, from Kenya, Muthoni The Drummer Queen’s

There is a huge disconnect between Americans working in Africa, and Africans working in America – though they are often in the same building.

Tal National's music is breezy, in all Niger's languages and about topics to which everyone can relate: love, peace, and the beauty of women.

The difference between Isaac Mutant and Die Antwoord is that Mutant is the real deal.

Kenneth Gyang's "Confusion Na Wa" and the growing desire for variety and novelty in Nigerian cinema.

A digital, more lo-fi interpretation of local Marrabenta mixed with dancehall and hip-hop, combined with a mid-tempo, laid-back vibe.

The frustration or inability to establish an identity that is free of hegemonic constructed myth – that ceases to be at odds with current reality.

Introducing the South African writer, K. Sello Duiker's novel 'Thirteen Cents' to US audiences.

The plague of evangelical Christianity and its role in fueling homophobia in African countries like Uganda.

“Thierry Henry 1:1” is proof of what happens when the marketing men make films about football.