
The global elite’s favorite strongman
Once again, The New York Times doesn’t inform Western audiences about the complexities of governance in Africa or the agency of those who are ruled.
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Sheila Adufutse is a feminist activist and trained as a project manager.

Once again, The New York Times doesn’t inform Western audiences about the complexities of governance in Africa or the agency of those who are ruled.

Growing numbers of radio stations, across the continent, are training young people to deliver news to their peers themselves.

To understand why Tsvangirai’s MDC can’t win in Zimbabwe, it is helpful to move beyond the standard analysis of systemic electoral corruption and an unfair vote.

If mainstream fashion showcases won’t open its doors to the “others” and black fashion showcases aren’t willing to show the breadth of silhouettes, then there is much more at stake than not having a dark-hued covergirl.


Township “Living,” white people and the limits of “empathy”

These are the days when corporate America can tell U.S. workers to stop complaining. They too would be part of the 1% if only they lived in Haiti, or Kenya or Uganda.

Liberian journalists are measured against the ideals of Albert Porte, a muckraking mid-20th century reporter. These days they’re doing him proud.

Fantasizing about transferring refugees to third countries, has long been a project of the Israeli state and its policy makers.

Weekend Break Number 52 feature, among others, Buika, TV On The Radio, Alex Lomani, Ill Skillz, Tamikrest and Stromae.

The subjects, who were mostly black and Indian, were photographed around Durban by Singarum Jeevaruthnam Moodley, aka Kitty (1922-1987).

Jean Suret-Canale changed the face of African history for African activists, students and intellectuals.

The contradictions and tensions in pop legend Michael Jackson’s relationship with the African continent.

“We’ve got Ferraris in Africa. What they gon’ say now?”, says one of the young people in a new video. Is that the ethics of South Africa’s young?

“Top Gear” presents Africa as background to white, English gentlemanly machismo.


Bob Hewitt migrated from Australia to apartheid South Africa. There he became a champion in white tennis. He is also accused of abusing children whose families trusted him as their tennis coach.

The theater, built by the military and finished in time for FESTAC in 1977, has always been a site of public disagreement.