These are the days

These are the days when corporate America can tell U.S. workers to stop complaining. They too would be part of the 1% if only they lived in Haiti, or Kenya or Uganda.

Photo: Lubo Minar.

These are the days when a white man with a gun needs a license to shoot a deer but not to hunt a black teen through the streets of suburbia, or to kill a young black man for listening to loud music;

When police deputies are licensed to shoot a black man for committing the crime of retrieving cigarettes from his car outside his home in the middle of the night;

These are the days when corporations are people and people are commodities to be sold and outsourced in the open markets;

When the banks that build homes in quick sand get bailed out as the people sink deeper and deeper into joblessness, homelessness and debt;

These are the days when corporate America can tell American workers to stop complaining because they too would be part of the 1 percent if only they lived in Haiti, or Kenya or Uganda;

When on reality television undercover bosses in blue-collar overalls get to mime workers for a day, but workers never get to be the bosses for life;

Dyana Wing So.

These are the days when the revolutions we sprung eat their young in Egypt and Libya, and Obama keeps his cool but drones on about Pakistan where he kills Pakistani children to keep ours safe;

These are the days when the United States has to reassure Russia that it will not torture or kill US citizens seeking asylum in the Kremlin yet Guantanamo Bay remains open for business;

When we are told that truth can become a terrorist bomb in our midst and whistle blowers are enemies of the state;

These are the days when immigrants are enemies at the gate, the days of a black president whose smile is a façade, behind it hope for the powerful and wealthy and hopelessness and spare change for the poor;

These are the days of welcome to a post-racial transparent America unleashed. Please Watch your Step!

Further Reading

Afrobeats after Fela

Wizkid’s dispute with Seun Kuti and the release of his latest EP with Asake highlight the widening gap between Afrobeats’ commercial triumph and Fela Kuti’s political inheritance

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.

Atayese

Honored in Yorubaland as “one who repairs the world,” Jesse Jackson’s life bridged civil rights, pan-Africanism, empire, and contradiction—leaving behind a legacy as expansive as it was imperfect.

Bread or Messi?

Angola’s golden jubilee culminated in a multimillion-dollar match against Argentina. The price tag—and the secrecy around it—divided a nation already grappling with inequality.

Visiting Ngara

A redevelopment project in Nairobi’s Ngara district promises revival—but raises deeper questions about capital, memory, and who has the right to shape the city.

Gen Z’s electoral dilemma

Long dismissed as apathetic, Kenya’s youth forced a rupture in 2024. As the 2027 election approaches, their challenge is turning digital rebellion and street protest into political power.

A world reimagined in Black

By placing Kwame Nkrumah at the center of a global Black political network, Howard W. French reveals how the promise of pan-African emancipation was narrowed—and what its failure still costs Africa and the diaspora.