These are the days

These are the days when corporate America can tell U.S. workers to stop complaining. They too would be part of the 1% if only they lived in Haiti, or Kenya or Uganda.

Photo: Lubo Minar.

These are the days when a white man with a gun needs a license to shoot a deer but not to hunt a black teen through the streets of suburbia, or to kill a young black man for listening to loud music;

When police deputies are licensed to shoot a black man for committing the crime of retrieving cigarettes from his car outside his home in the middle of the night;

These are the days when corporations are people and people are commodities to be sold and outsourced in the open markets;

When the banks that build homes in quick sand get bailed out as the people sink deeper and deeper into joblessness, homelessness and debt;

These are the days when corporate America can tell American workers to stop complaining because they too would be part of the 1 percent if only they lived in Haiti, or Kenya or Uganda;

When on reality television undercover bosses in blue-collar overalls get to mime workers for a day, but workers never get to be the bosses for life;

Dyana Wing So.

These are the days when the revolutions we sprung eat their young in Egypt and Libya, and Obama keeps his cool but drones on about Pakistan where he kills Pakistani children to keep ours safe;

These are the days when the United States has to reassure Russia that it will not torture or kill US citizens seeking asylum in the Kremlin yet Guantanamo Bay remains open for business;

When we are told that truth can become a terrorist bomb in our midst and whistle blowers are enemies of the state;

These are the days when immigrants are enemies at the gate, the days of a black president whose smile is a façade, behind it hope for the powerful and wealthy and hopelessness and spare change for the poor;

These are the days of welcome to a post-racial transparent America unleashed. Please Watch your Step!

Further Reading

The sound of revolt

On his third album, Afro-Portuguese artist Scúru Fitchádu fuses ancestral wisdom with urban revolt, turning memory and militancy into a soundtrack for resistance.

O som da revolta

No seu terceiro álbum, o artista afro-português Scúru Fitchádu funde a sabedoria ancestral com a revolta urbana, transformando memória e militância em uma trilha sonora para a resistência.

Biya forever

As Cameroon nears its presidential elections, a disintegrated opposition paves the way for the world’s oldest leader to claim a fresh mandate.

From Cornell to conscience

Hounded out of the United States for his pro-Palestine activism, Momodou Taal insists that the struggle is global, drawing strength from Malcolm X, faith, and solidarity across borders.

After the uprising

Following two years of mass protest, Kenya stands at a crossroads. A new generation of organizers is confronting an old question: how do you turn revolt into lasting change? Sungu Oyoo joins the AIAC podcast to discuss the vision of Kenya’s radical left.

Redrawing liberation

From Gaza to Africa, colonial cartography has turned land into property and people into populations to be managed. True liberation means dismantling this order, not redrawing its lines.

Who deserves the city?

Colonial urbanism cast African neighborhoods as chaotic, unplanned, and undesirable. In postcolonial Dar es Salaam, that legacy still shapes who builds, who belongs, and what the middle class fears the city becoming.

Djinns in Berlin

At the 13th Berlin Biennale, works from Zambia and beyond summon unseen forces to ask whether solidarity can withstand the gaze of surveillance.

Colonize then, deport now

Trump’s deportation regime revives a colonial blueprint first drafted by the American Colonization Society, when Black lives were exiled to Africa to safeguard a white republic.