
Rwanda and the New York Times
On those images by South African photographer, Pieter Hugo, pairing perpetrators and victims of the 1994 Genocide.
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Sheila Adufutse is a feminist activist and trained as a project manager.

On those images by South African photographer, Pieter Hugo, pairing perpetrators and victims of the 1994 Genocide.

Goodluck Jonathan, the incumbent in Nigeria, gets the hashtag treatment – gets mocked on Twitter – for his government’s inaction and policy uncertainty on a range of fronts.

If you only visit South African townships to confirm your prejudices and not to experience them the way they are, stay away.
The actress Lupita Nyong’o was born in Mexico, who wanted to claim her Oscar win. But why should she owe the Oscar to Mexico, a country with such high levels of racism?

Gabriel Garcia Marquez wanted to counter the notion that everything in Latin America can be understood only through Euro-American lenses.


Asides from a few isolated cases, Nigeria’s police force was never really an investigating force.


Just what level of racist insanity does an “expert” have to exhibit before the New York Times starts to think they’re not an expert?

Bringing attention to African filmmakers who challenge prevalent cinematic depictions of the continent.

This is currently Boko Haram’s structure: a cellular structure, and no centralized command, and seemingly no unity of purpose.

Basil Breakey’s photographs serves as an important recording of South Africa jazz music in the 1960s and 1970s.

The strong local identity of Colombia’s most African big city is slowly being erased. But not all its artists, especially musicians, are giving up without a fight.

A public service as a response to Nigeria’s removal of history from its school curriculum

The film “Forgotten Kingdom” has become one of the most powerful representations of Lesotho. Does it get it right?

Most South Africans have at least one thing in common: their hatred of other Africans coming from the rest of the continent.

The Cape Town company that designs and markets “slave ship” ironing boards and aprons.

Angolans protest as the state threatens to tear down an historic building.

Are development agencies derailing the film industry in Tanzania?
