A record Congo doesn’t want

More Congolese are displaced from their homes than Iraqis, Yemenis, or Rohingyas. according to the UN High Commissioner for Refugees.

Congolese Army. Image via Wikipedia.

The past few month have not been good for longtime African leaders who have been forced to step down, from Robert Mugabe to Hailemariam Desalegn [qualification: in the latter’s case, he is a representative of the Ethiopian People’s Revolutionary Democratic Front, in control of Ethiopia’s government since 1995, but you get the picture]. An upcoming slew of elections in the first half of the year could prove problematic for many more. In Sierra Leone, for one, a new party — The National Grand Coalition — could bring down the hegemony of the Sierra Leone People’s Party, and All Peoples Congress, both of who have have essentially held power exclusively since independence. This election, surely, might become a true test for the strength of the political institutions.

Further north, the “international community” is determined to hold elections in Libya. Sometime in 2018. But in whose interest?

Across the Mediterranean, African migrants, and immigration, are having an outsized impact on the Italian elections.

Speaking of Italy, an anthropologist looks at the economic incentives behind migration of women who end up doing sex work. And how the focus must change in the narrative, if there is to be any success.

This week marked the 133rd anniversary of the Berlin Conference. From the Anglophone crisis in Cameroon to conversations around the Single African Air Transport Market, we find ourselves still coming up against those Berlin Walls erected on the continent then.

Two former US ambassadors to Kenya call for American intervention in Kenya.

“Today, more Congolese are displaced from their homes than Iraqis, Yemenis, or Rohingyas,” and as has been the case historically, external interference continues to destabilize it.

A decade after assault and attacks from the Lords Resistance Army, Ugandan women still carry the burden of trauma.

What Maya Angelou’s time in Egypt says about the Arab-Black solidarity in the 50s and 60s.

And yes; Black Panther is a little anti-Muslim.

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.