AfricaIs aCountry

This is the sound of Cecil John Rhodes falling

This is the sound of Cecil John Rhodes falling

By
Sophie Woolley

Historic moments get a lot of phone camera coverage these days, but I wondered if radio could better capture the atmosphere at the rally to celebrate the removal of the Rhodes statue at the University of Cape Town. As the #RhodesMustFall movement said repeatedly, it’s not just about a statue. So I recorded what people were saying and singing.

I took a portable digital recorder to the mass rally outside the Azania House (the renamed administration building occupied by the student activists). The rally featured powerful speeches from students, academics, workers and school children. There was poetry, song, and then the mass surge to upper campus to see old Cecil the statue being taken down and driven off on the back of a lorry.

[soundcloud url=”https://api.soundcloud.com/tracks/200596879″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.