Africa Is a Country

The Black Atlantis

Africa Is a Country Podcast
African Five-a-Side Podcast

The Black Atlantis

By
Steffan Horowitz

The negative effects of tourism, globalization, and commercialization in Zanzibar.

From the poster art for Kibwe Tavares' "Jonah."

The Future Weird is a monthly series focused on films by directors from Africa and the global south.The series foregrounds films which imagine the future from a non-Western perspective.  I have been trying to attend as many of The Future Weird’s screenings as possible in recent months.  It is organized by Okayafrica’s Derica Shields and Africa is a Country’s Megan Eardley. The most recent installment was entitled “Black Atlantis” and featured a number of shorts that were linked by the common theme of water. The short that stood out the most for me was British architect-turned-filmmaker, Kibwe Tavares’ Jonah.

“Jonah” explores the effects of tourism, globalization, and commercialization in Zanzibar. Here’s the synopsis:

Mbwana and his best friend Juma are two young men with big dreams. These dreams become reality when they photograph a gigantic fish leaping out of the sea and their small town blossoms into a tourist hot-spot as a result. But for Mbwana, the reality isn’t what he dreamed – and when he meets the fish again, both of them forgotten, ruined and old, he decides only one of them can survive. Jonah is a big fish story about the old and the new, and the links and the distances between them.

Here’s the film:

With solid cinematography, dazzling visual effects, and intermittent humor, “Jonah” shows us a Zanzibar of the near-future that has become a “seedy, capitalist tourist trap.” The short was in part inspired by Hemmingway’s “The Old Man and the Sea,” as well as a trip Tavares took to East Africa (the film was originally supposed to be set in Lamu, Kenya). The filmmaker’s previous short, “Robots of Brixton,” was about a similarly dystopic future and acts as a kind of re-contextualization of the 1981 Brixton Riots. The short film took home the Special Jury Award for Animation Direction from Sundance in 2012 and is certainly worth watching. Kibwe Tavares is one of the leaders of the UK-based film and animation studio, Factory Fifteen.

Further Reading

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.

The grift tank

In Washington’s think tank ecosystem, Africa is treated as a low-stakes arena where performance substitutes for knowledge. The result: unqualified actors shaping policy on behalf of militarists, lobbyists, and frauds.

Kagame’s hidden war

Rwanda’s military deployments in Mozambique and its shadowy ties to M23 rebels in eastern Congo are not isolated interventions, rather part of a broader geopolitical strategy to expand its regional influence.

After the coups

Without institutional foundations or credible partners, the Alliance of Sahel States risks becoming the latest failed experiment in regional integration.