Foreign Correspondents and False Notes

Foreign journalists would do well to get their heads around Mali’s crisis, because all signs are that it will be around for a while.

Image Credit: Pixabay.

Two things I’ve learned about the popular press in the last few months: you don’t get to pick your own headline, and you don’t want anyone thinking that the inevitable picture of the guy with a machine gun is the author photo (not the one above, although strictly speaking, if his face is hidden, it might be hard to prove he’s not you). On the other hand, reporters writing in places like The Globe and Mail do get to write sentences in which they express astonishment at the presence of “mud huts,” goats and chickens on military bases, and at the sewage flowing in the roads of the garrison town of Kati. (Note to journalist: I really doubt that was raw sewage, but wuluwuluji. Ask someone.)

Local color and snide observations aside, anyone who can keep shining light on the intertwined dangers of an undisciplined army and the bugbear of ethnic militias—as the author of “the West’s Latest Afghanistan” does, and as Tamasin Ford and Bonnie Allen have done—is making a contribution.

So is it the editors who are ginning up and cashing in bad analogies at will? Who wants us to believe that Mali is like Afghanistan?

This is not a new trope: the BBC peddled the same comparison back in June; so did NPR two months later; PressTV, aka “the Iranian CNN,” also ran with it; and more recently, even Immanuel Wallerstein jumped on it as a headline for a blog post on his website. We’re told Mali is a –stan (Africanistan? Sahelistan?), but as Andrew Lebovich and I have argued, it really isn’t. Those who make the analogy almost uniformly leave out what Mali and Afghanistan might actually hold in common—narco-trafficking and the possibility for the countries of the global North to cock the place up completely—in favor of more superficial similarities, like the guys who show up where the author photo is expected to be. Others want to tell us Mali’s like Somalia, a comparison that makes even less sense, unless you’re Africom Commander General Carter Ham. But General Ham means the comparison militarily. In Somalia, the U.S. got Kenya, Ethiopia and Uganda do the hard fighting, at heavy cost to them—including attacks on civilians back home—but at little cost to the U.S. Nice solution for the Americans, but a little less appealing to the African neighbors, one would think. The point is that weak analogies taken out of context don’t help our understanding, and when journalists resort to them they often cloud up what’s worthwhile in the reporting itself.

Take it from another angle. If Mali’s great musical tradition can help interest outsiders in the country’s plight, that’s a good thing. These are tense and troubled times for musicians as for everyone else. Writing in the Washington Post, Sudarsan Raghavan gets at that nicely. Still, it’s more than a little jarring to see Tinariwen—vocal supporters of the rebellion that spawned this disaster—presented in a slide show as simple victims. The writer doesn’t get to pick the photos, but they do shape our understanding. A little context, please?

As Raghavan shows, many of Mali’s musicians are in a terrible bind. Even those who aren’t living in fear in the North or exile in the South are suffering from the crisis. In Gao, musicians are hiding, and one of Mali’s great composers and instrumentalists told me the other day that even in Bamako many musicians are afraid to perform for fear of attacks. None have happened, but a recent story in the Malian press about tens of Islamists infiltrating Bamako stoked fears they might, along with a joke from a Malian wag about them joining the tens of thousands who live there already. Not funny at all is a series of kidnappings and arbitrary arrests carried out by the former junta. The arrest of two al Jazeera journalists provoked a justifiable reaction from the hard-working Mohamed Keita at the Committee to Protect Journalists, but soldiers have also hauled off prominent Malian business people in recent weeks. This has also got people on edge, and everything points to a long and grinding period of anxious waiting.

Foreign journalists—and yes, there are some good ones working in West Africa—would do well to get their heads around Mali’s crisis, because all signs are that it will be around for a while. More on that later. It looks like there’s plenty of time.

Further Reading

Take it to the house

On this month’s AIAC Radio, Boima celebrates all things basketball, looking at its historical relationships with music and race, then focusing on Africa’s biggest names in the sport.

El maestro siempre

Maky Madiba Sylla is a militant filmmaker excavating iconic Africans whose legacies he believes need to be known widely—like the singer Laba Sosseh.

Madiba and Mali

There is a remarkable connection between Mali and South Africa, dating back to the liberation struggle, and actively encouraged by the author’s work.

A devil’s deal

Rwanda’s proposed refugee deal with Britain is another strike against President Paul Kagame’s claim that he is an authentic and fearless pan-Africanist who advocates for the less fortunate.

Red and Black

Yunxiang Gao’s new book takes a fresh look at connected lives of African American and Chinese leftist activists, artists and intellectuals after World War II.

The Dar es Salaam years

In the early 1970s, Walter Rodney, expelled from Jamaica, took a post in Tanzania. In Leo Zeilig’s new book, he captures those exciting, but also difficult years and how it formed Rodney.