On a recent trip to London I was hoping to catch a performance by Cape Town drummer Louis Moholo Moholo, the last surviving member of the famed jazz bands, The Blue Notes and The Brotherhood of Breath. Especially with the release of “Before the Wind Changes,” a live recording of The Blue Notes on tour in Belgium in 1979. For the uninitiated, The Blue Notes, along with Abdullah Ibrahim and Hugh Masekela, defined South African jazz internationally for much of the period between 1960 and 1980. The band consisted of Chris McGregor on piano, Moholo-Moholo, Dudu Pukwana on alto sax and Johnny Dyani on bass. They left South Africa in the early 1960s after being invited to a jazz festival in France and subsequently became key players in Britain’s jazz scene.

Meanwhile, while I am trying to get my hands on “Before the Wind Changes,” I’ll substitute with Youtube videos, like the 5-minute video just below. It is footage of Moholo-Moholo (close to the camera on the right) and his quintet playing in London last year.

Then right below is another video — 9 minutes long — filmed at a festival in London in 2010. Moholo (at the back on the left) with Ishmael Wadada Leo Smith and Steve Noble:

Finally, there’s this interview filmed at the 2011 Pan African Space Station music festival in Cape Town with musician and composer, Neo Muyanga:

Further Reading

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Ibaaku’s space race

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An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

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Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.

Drawing the line

How Sudanese political satirist Khalid Albaih uses his art and writing to confront injustice, challenge authority, and highlight the struggles of marginalized communities worldwide.