Africans in New York City

"Afro-Spectacle," a music and film event by DJ collective, Dutty Artz, explores the working class African immigrant experiences in the city.

A promotional image from "God's Own Country."

The film, “God’s Own Country,” by director Femi Agbayewa, presents the story of a young Nigerian lawyer who immigrates to New York City only to discover that life in America is not what he hoped.  A mix between an American hip hop gangster flick and a Nollywood drama, the film is a great initiation into the West African film industry for an American audience unfamiliar it.

A public screening of the film is happening on February 1st, at the Spectacle Theater in Williamsburg, Brooklyn. It will form part of “Afro-Spectacle,” hosted by my Dutty Artz brethren, DJ Rupture and Lamin Fofana. Before the screening, they will host a special 2-hour live radio show around these themes. African music videos purchased in the corner stores of New York City, will be projected throughout the show for those present.  The broadcast will also be carried live on WFMU, the  East Orange, New Jersey, community radio station.

The theme of the night dovetails nicely with my own project, African in New York, which is out due out February 21st.

Femi Agbayewa is currently in London developing his television series “Brooklyn Shakara,” so he won’t be able to make it in person.  The space is limited, and it’s first come first serve. If you can’t make it, check us out live, or listen back to the archived show on Lamin’s The Embassy and Rupture’s Mudd Up pages.

Further Reading

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.