Independence Day in Equatorial Guinea

Equatoguineans may not have much to celebrate on independence day: They've been free from colonialism since 1968, but the current ruler has been in power since 1979.

Malabo, capital of Equatorial Guinea (Flickr CC).

What’s to celebrate on independence day in the land of the current chairperson of the African Union? Not much, when reading what Guinean writer (in exile) Juan Tomás Ávila Laurel publishes on his blog. Or it should be the construction of those presidential villas, mitigated by them apparently being put to use during next year’s African Nations Cup. Let’s try it anyway.

Melitón Pablo Mangué tells us Guineans are dancing to Mbini’s “Misek Bi Nnem” and Antorcha De Zaragoza’s “Nza Ve Me Nnom” at the moment, although the videos haven’t surfaced on the net yet — let us know when you find them. Recent hits that do come with a video are: Fifi La Mirey’s ‘Angon Osok‘, Luis Mbomio’s shiny Faya Faya, among others.

Then there’s like “Bicomsua” by Tawola Mesam and Sandra Star and ‘Mi Cosa‘.

Yuma is throwing a party.

And some Equatoguinean Spanish hip hop to end this music break. (Spanish is one of the country’s two official languages – French being the other one). It is Verso Roto’s “Arte Sagrado.” (On hip hop:  Here‘s a good blog to follow up on what’s new in Equatorial Guinea hip hop.)

Further Reading

Slow death by food

Illegal gold mining is poisoning Ghana’s soil and rivers, seeping into its crops and seafood, and turning the national food system into a long-term public health crisis.

A sick health system

The suspension of three doctors following the death of Chimamanda Ngozi Adichie’s son has renewed scrutiny of a health-care system plagued by impunity, underfunding, and a mass exodus of medical professionals.

Afrobeats after Fela

Wizkid’s dispute with Seun Kuti and the release of his latest EP with Asake highlight the widening gap between Afrobeats’ commercial triumph and Fela Kuti’s political inheritance

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.