Independence Day in Equatorial Guinea

Equatoguineans may not have much to celebrate on independence day: They've been free from colonialism since 1968, but the current ruler has been in power since 1979.

Malabo, capital of Equatorial Guinea (Flickr CC).

What’s to celebrate on independence day in the land of the current chairperson of the African Union? Not much, when reading what Guinean writer (in exile) Juan Tomás Ávila Laurel publishes on his blog. Or it should be the construction of those presidential villas, mitigated by them apparently being put to use during next year’s African Nations Cup. Let’s try it anyway.

Melitón Pablo Mangué tells us Guineans are dancing to Mbini’s “Misek Bi Nnem” and Antorcha De Zaragoza’s “Nza Ve Me Nnom” at the moment, although the videos haven’t surfaced on the net yet — let us know when you find them. Recent hits that do come with a video are: Fifi La Mirey’s ‘Angon Osok‘, Luis Mbomio’s shiny Faya Faya, among others.

Then there’s like “Bicomsua” by Tawola Mesam and Sandra Star and ‘Mi Cosa‘.

Yuma is throwing a party.

And some Equatoguinean Spanish hip hop to end this music break. (Spanish is one of the country’s two official languages – French being the other one). It is Verso Roto’s “Arte Sagrado.” (On hip hop:  Here‘s a good blog to follow up on what’s new in Equatorial Guinea hip hop.)

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.