Africa Is a Country

National Pride

Africa Is a Country Podcast
African Five-a-Side Podcast

National Pride

By
Sean Jacobs

Cote d'Ivoire is Africa's best team at the moment. FIFA says so. Egypt, the current African champions, are second.

Emmanuel Eboue of Cote d'Ivoire, the top African team on FIFA's latest rankings (Image: Kehinde Wiley's artwork)

I’ll take any excuse to post about football. Fifa, football’s world controlling body, announced the latest rankings for world football this week. Not surprising are the top five nations: Spain, Netherlands, Germany, Uruguay and Portugal. We of course care about the African rankings.

The African teams in the top 50 are: Cote d’Ivoire (no. 16, down one place) followed by Egypt, defending African Cup of Nations Champions are 36th, down 2 places, with Ghana (37th, down 1), Burkina Faso (41th, down 1), Senegal (42nd, up 7), Nigeria (43rd, down 5), Algeria (46th) and Cameroon (48th), making up the rest of the top African teams.

My country, South Africa, is just outside the top 50: they’re 51st, down 4 places. Didn’t they draw and beat Egypt in recent African Nations Cup qualifiers eliminating the 6-time continental champions from next year’s finals? I thought that counted for something.

Kehinde Wiley’s painting of John Mensah, Samuel Eto’o and Emmanuel Eboue.

Sierra Leone (now 68th, up 24), Togo (95th, up 26) and Namibia (119th, up 24) are three of the six teams outside the top 50 who improved their position on the rankings by more than 20 places.

Sources: Here and here.

Further Reading

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.