Africa Is a Country

Hugh Masekela’s Football Skills

Hugh Masekela’s Football Skills

By
Sean Jacobs

There's no record that Hugh Masekela could play football. But he acted like he could kick a ball in a music video.

Hugh Masekela, long past his football days. Image: Wiki Commons.

In 1984, the South African trumpeter and bandleader,  Hugh Masekela, released the single “Don’t Go Lose It Baby.”  The song appeared on the album, “Techno Bush.” An uptempo, cheerful song (sample lyrics: “A winner and a loser /A loser and a winner /Let me tell you that’s the name of the game”) made it to number two for two weeks on the dance charts that song. The song has a nice beat to do it. It can set any party alight. Then Masekela shot the music video. The result is probably the only footage of Masekela showing off his football skills. Well, he runs around with the ball  and at one points nutmegs himself. Masekela also has a philosophy about winning: “When every winner’s name /Is in the Hall of fame / And you’re a winner when you beat the game.”

This is not the Hugh Masekela of “Stimela.” My sense is Masekela is an Orlando Pirates fan.

But back to the music video for “Don’t go lose it baby.” Watch from the 1:36 mark. Masekela also pretends to be a football coach for a minute as he raps with the ball in his hand.

The video looks like it was shot in Lesotho or Botswana (the backup band looks like Sankomota), which is where Masekela lived for parts of the 1980s. (He also lived briefs spells in Liberia, Ghana and Nigeria.)

Since then, the closest Masekela came to a football pitch, was when he performed in stadiums, including for a warm up concert during the 2010 World Cup. In this case, for example, he was performing a Miriam Makeba standard with the singer Lira (who is mimicking every Makeba move in the song).

Ht: Antoinette Engel

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.