Let’s celebrate Niger’s independence day with a recording of Omara “Bombino” Moctar, whose story of exile — and return — speaks to many youth in the country.

Along with Rap music:


[youtube http://www.youtube.com/watch?v=Dd3rt3C-RzE&w=600&h=373]

that is sometimes danceable…

[youtube http://www.youtube.com/watch?v=TIPGzIWK5rU&w=600&h=373]

sometimes political…

[youtube http://www.youtube.com/watch?v=K1BfvP7Qa5g&&w=600&h=373]

and sometimes incorporates tradition.

[youtube http://www.youtube.com/watch?v=GJCLJlFRaJI&w=600&h=373]

Rap group Tchakey hops on the Night Nurse Riddim(!) to talk about freedom of expression.

[youtube http://www.youtube.com/watch?v=CCXJl1L1xNo&w=600&h=373]

Since independence, music from Niger’s various ethnic groups that had traditionally been separate, such as the Hausa, Taureg, Berber, Fula, and Songhai started mixing with each other, and with Western sounds like Jazz, Blues, and Reggae giving Nigerien music a distinct feel, a place where North, East, and West Africa meet.

[youtube http://www.youtube.com/watch?v=o0NuuWJscqg&w=600&h=373]

A live performance by Moussa Poussi where Mami Wata, the water goddess gets a roots reggae dedication:

[youtube http://www.youtube.com/watch?v=mAuYfQCgSQU&w=600&h=373]

This great Coupe Decale influenced Hausa song was shared not too long ago on Sahel Sounds:

[youtube http://www.youtube.com/watch?v=RkVjvbE_ApA&w=600&h=373]

Three of the countries top women singers get together for a song with a social awareness message.

[youtube http://www.youtube.com/watch?v=D1TKKktqkQg&w=600&h=373]

Support from The Festival in the Desert, and both upcoming and established Western labels has benefited Nigerien artists such as Etran Finatawa who formed at the festival in 2004…

[youtube http://www.youtube.com/watch?v=2NjX1ziHVX8&w=600&h=373]

Happy Nigerien Independence Day!

Further Reading

Redrawing liberation

From Gaza to Africa, colonial cartography has turned land into property and people into populations to be managed. True liberation means dismantling this order, not redrawing its lines.

Who deserves the city?

Colonial urbanism cast African neighborhoods as chaotic, unplanned, and undesirable. In postcolonial Dar es Salaam, that legacy still shapes who builds, who belongs, and what the middle class fears the city becoming.

Djinns in Berlin

At the 13th Berlin Biennale, works from Zambia and beyond summon unseen forces to ask whether solidarity can withstand the gaze of surveillance.

Colonize then, deport now

Trump’s deportation regime revives a colonial blueprint first drafted by the American Colonization Society, when Black lives were exiled to Africa to safeguard a white republic.

On Safari

On our annual publishing break, Gaza’s genocide continues to unfold in real time yet slips from public grasp. This is not just a crisis of politics, but of how reality is mediated—and why we must build spaces where meaning can still take root.

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.