From a series by photographer Pete Miller (remember him?) of Dinka cattle raiders in Southern Sudan on TIME magazine’s Lightbox blog. As Glenna Gordan comments on her blog, Scarlett Lion:

In addition to be technically superb photographs, what I really like about these images is the individuality and identity that each of the subjects has. And by viewing a series of portraits, I get a sense of a textured community of discrete individuals, rather than a sort of pre-historic and stereotypical horde of angry men with guns and cows. It’s difficult to make the same sort of sweeping statements all too common in media coverage when you as a viewer are offered the chance straight into the eyes of a young woman or check out a dude’s awesome aqua and pink shirt. These images aren’t of a “tribe,” but of specific people with specific personalities who make specific choices.

Further Reading

Edson in Accra

It happened in 1969. But just how did he world’s greatest, richest and most sought-after footballer at the time, end up in Ghana?

The dreamer

As Africa’s first filmmakers made their unique steps in Africanizing cinema, few were as bold as Djibril Diop Mambéty who employed cinema to service his dreams.

Socialismo pink

A solidariedade socialista na Angola e Moçambique pós-coloniais tornou as pessoas queer invisíveis. Revisitar esse apagamento nos ajuda a reinventar a libertação de forma legítima.