The Black Portrait Symposium

Posing Beauty explores the contested ways in which African and African American beauty has been represented in historical and contemporary contexts through a diverse range of media including photography, film, video, fashion, advertising, and other forms of popular culture such as music and the internet.

Throughout the  history of Western art and image-making, beauty as an aesthetic impulse has been simultaneously idealized and challenged, and the relationship between beauty and art has become increasingly complex within contemporary art and popular culture. This exhibit further challenges the relationship between beauty and art by examining the representation of beauty as a racialized act fraught with meanings and attitudes about class, gender, and aesthetics.

In the first of four thematic sections, Constructing a Pose, considers the interplay between the historical and the contemporary, between self-representation and imposed representation, and the relationship between subject and photographer.  The second theme, Body and Image, questions the ways in which our contemporary understanding of beauty has been constructed and framed through the body. The last two thematic sections, Objectivity vs. Subjectivity, and Codes of Beauty, invite a deeper reading of beauty, its impact on mass culture and individuals and how the display of beauty affects the ways in which we see and interpret the world and ourselves.

Posing Beauty problematizes our contemporary understanding of beauty by framing the notion of aesthetics, race, class, and gender within art, popular culture, and political contexts.  This exhibit features approximately 90 works drawn from public and private collections and will be accompanied by a book published by W.W. Norton.

Artists in the exhibition include: Eve Arnold, Anthony Barboza [that’s his portrait of Marvin Hagler above], Sheila Pree Bright, Renee Cox, Bruce Davidson, Leonard Freed, Lee Friedlander, Timothy Greenfield-Sanders, Alex Harsley, Jessica Ingram, Lauren Kelley, Russell Lee, Builder Levy, Elaine Mayes, Jeffrey Scales, Jamel Shabazz, Stephen Shames, Mickaline Thomas, Carrie Mae Weems, Carla Williams, Garry Winogrand and Ernest Withers, among others.

Information

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.