Gay in Africa

Two photographers - unrelated - highlight the precarious existence of gay lives on the continent.

By Tadej Žnidarčič.

The Slovenian photographer, Tadej Žnidarčič‘s series of portraits of gay men and women in Uganda is called “Being Gay in Uganda,” They all have their backs turned to the camera. Žnidarčič’s subjects are coy for a reason. Attracting attention can be fatal: “The problem is the way I dress. Everyone is asking, ‘is that a boy or a girl?’ In clubs, when ladies can get in for free, they push us, tell us we are not ladies and that we have to pay. They scream: ‘Is she boy or a girl? Is that man or a woman?’ As tom-boy, everyone looks at you.”

Žnidarčič is one of seven photographers in the “Moving Walls” photographic exhibition opening in mid-March at the Open Society Documentary Project in New York City (and that will travel elsewhere, including hopefully to Uganda).  It could not have come at a better moment for those concerned about and campaigning against the growing homophobia on the continent (see, for example, the statement by bloggers posted on this blog and elsewhere yesterday).

Sam, 2010.

Žnidarčič is one of seven photographers in the “Moving Walls” photographic exhibition opening in mid-March at the Open Society Documentary Project in New York City (and that will travel elsewhere, including hopefully to Uganda).  It could not have come at a better moment for those concerned about and campaigning against the growing homophobia on the continent (see, for example, the statement by bloggers posted on this blog and elsewhere yesterday).  He is also one of two photographers in Moving Walls who focus on gay identity and homophobia on the continent in their work.

The other is Bénédicte Desrus. Her “Persecution of Homosexuality in Uganda” covers events around the Anti-Homosexuality Bill introduced in the Ugandan parliament in October 2009. (The Bill proposes life imprisonment for anyone engaged in homosexual activities and the death penalty for “aggravated homosexuality”).

Anti-gay pastors in Uganda. Bénédicte Desrus.

Closer to home in New York City, a third photographer, Jamaican-born, Samantha Box, covered homeless minority LGBT youth in New York City.

Samantha Fox.

Here are the details for the exhibition.

Further Reading

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.

The grift tank

In Washington’s think tank ecosystem, Africa is treated as a low-stakes arena where performance substitutes for knowledge. The result: unqualified actors shaping policy on behalf of militarists, lobbyists, and frauds.

Kagame’s hidden war

Rwanda’s military deployments in Mozambique and its shadowy ties to M23 rebels in eastern Congo are not isolated interventions, rather part of a broader geopolitical strategy to expand its regional influence.

After the coups

Without institutional foundations or credible partners, the Alliance of Sahel States risks becoming the latest failed experiment in regional integration.