Today’s New York Times Magazine carries a fawning profile of John Prendergast, the force behind the Enough Project (reference: Congo, Darfur and now southern Sudan). Prendergast is described by reporter Daniel Bergner as “America’s most influential activist in Africa’s most troubled regions.” A former Clinton White House official, Prendergast probably wrote the book on how to utilize celebrity diplomacy. (Actors George Clooney, Angelina Jolie and Don Cheadle’s status as foreign policy experts originate with the Enough Project.) At best the article is interesting as a how-to manuel on influencing US foreign policy on Africa. At the same time reporter Bergner also undercuts his own thesis by conceding it is difficult to measure exactly Clooney and Prendergast’s importance in the recent surge of US public focus on Sudan. For the profile Bergner followed Pendergrast to southern Sudan where a referendum on the south’s political independence from the north is planned January 2011. Much of the information in the piece won’t be new to people familiar with Prendergast or developments in Sudan. Some readers may get a chuckle out of Bergner’s man-crush on Pendergrast. Bergner writes that Prendergast has “… wavy gray hair that fell to the shoulders of his T-shirt. The hair, along with the unshaven scruff on his chin, made for a look of dashing flamboyance that was undercut by bursts of boyish energy.” We also learn that Prendergast has no time for critics of his methods or his grasp of the issues, that he “has devoted all of his adult life to Africa,” and discovered “human suffering” when he saw scenes of Ethiopia’s 1985 famine on TV. Prendergast can’t stop himself from describing a first trip to Sudan in the 1980s as “… a bit of ‘Apocalypse Now’.” Not surprisingly, we also learn that he has been betrayed by Africans whom he has admired. Etcetera, etcetera.

Anyway, Howard French, former New York Times West Africa correspondent, best summed up the piece in a tweet: “Bwana saves Africa. Part 3,276. Barf. Will we ever get beyond such stories?

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.

Trump tariffs and US Imperialism

Trump’s April 2025 tariff blitz ignited market chaos and deepened rifts within his own coalition. Beneath the turmoil lies a battle between technocrats, ultranationalists, and anti-imperial populists, all vying to reshape—or destroy—American global power.