Africa Is a Country

Fela in the Big Apple

Africa Is a Country Podcast
African Five-a-Side Podcast

Fela in the Big Apple

By
Sean Jacobs

In the mid-1980s, Fela Kuti and his band, then in their prime, came to play in New York City.

Fela Kuti, circa 1986.

The Fela Kuti revival–lawsuits and all–in New York City rolls on. This time it’s a documentary about a mid-1980s visit Kuti–then in his prime–made to New York City.  “Fela–NYC: Fresh from Africa”  is a 97-minute film directed by Jaheed Ashley “… filled with rare footage of Fela that remained unseen for two decades.” The film first came out in 2006. This was Fela’s first visit to New York City after a 17 year absence.

We don’t know more about the film.

In the mid-1980s, Fela was at the height of his powers and not just considered a musical genius, but also a political figure. In this November 1986 preview of a concert he was playing in Manhattan (at The Felt Forum, Eighth Avenue at 33d Street), Kuti talks to The New York Times’s music writer, Jon Pareles. The journalist reminds us that Kuti’s last visit before this to the US was canceled when he was arrested for currency smuggling as he was boarding a plane to New York. He ended up in prison for 20 months. The US visit followed a tour of Europe. Kuti alleged the arrest was politically motivated. Nigeria was a military dictatorship and Kuti was an outspoken opponent of the regime. A sample quote shows why the military and Nigeria’s corrupt elites hated him at the time: “… I will be president of my country one day. There is no doubt about that. My country will be a symbol of free human society. Now, there is a lot of violence between the armed forces, the police and the citizens. If I became president now I would immediately pass a law that makes every citizen a policeman or a soldier. Today’s society has so many laws and so many institutions, but Africa needs a different approach before it can develop as a continent.”

He also talks about his creative process to Pareles: “I wanted to conquer the bottom. Now, my mind is cleared up better, I am more spiritually aware, and I can face tragic things with less fear. My analysis of things I want to express is deeper.”

The film is doing the rounds in New York City now.

Further Reading

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The Women’s Africa Cup of Nations opens in Morocco amid growing calls to preserve the stories, players, and legacy of the women who built the game—before they’re lost to erasure and algorithm alike.

Sovereignty or supremacy?

As far-right politics gain traction across the globe, some South Africans are embracing Trumpism not out of policy conviction but out of a deeper, more troubling identification.

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.