Africa Is a Country

Fela in the Big Apple

Africa Is a Country Podcast
African Five-a-Side Podcast

Fela in the Big Apple

By
Sean Jacobs

In the mid-1980s, Fela Kuti and his band, then in their prime, came to play in New York City.

Fela Kuti, circa 1986.

The Fela Kuti revival–lawsuits and all–in New York City rolls on. This time it’s a documentary about a mid-1980s visit Kuti–then in his prime–made to New York City.  “Fela–NYC: Fresh from Africa”  is a 97-minute film directed by Jaheed Ashley “… filled with rare footage of Fela that remained unseen for two decades.” The film first came out in 2006. This was Fela’s first visit to New York City after a 17 year absence.

We don’t know more about the film.

In the mid-1980s, Fela was at the height of his powers and not just considered a musical genius, but also a political figure. In this November 1986 preview of a concert he was playing in Manhattan (at The Felt Forum, Eighth Avenue at 33d Street), Kuti talks to The New York Times’s music writer, Jon Pareles. The journalist reminds us that Kuti’s last visit before this to the US was canceled when he was arrested for currency smuggling as he was boarding a plane to New York. He ended up in prison for 20 months. The US visit followed a tour of Europe. Kuti alleged the arrest was politically motivated. Nigeria was a military dictatorship and Kuti was an outspoken opponent of the regime. A sample quote shows why the military and Nigeria’s corrupt elites hated him at the time: “… I will be president of my country one day. There is no doubt about that. My country will be a symbol of free human society. Now, there is a lot of violence between the armed forces, the police and the citizens. If I became president now I would immediately pass a law that makes every citizen a policeman or a soldier. Today’s society has so many laws and so many institutions, but Africa needs a different approach before it can develop as a continent.”

He also talks about his creative process to Pareles: “I wanted to conquer the bottom. Now, my mind is cleared up better, I am more spiritually aware, and I can face tragic things with less fear. My analysis of things I want to express is deeper.”

The film is doing the rounds in New York City now.

Further Reading

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.

The sound of revolt

On his third album, Afro-Portuguese artist Scúru Fitchádu fuses ancestral wisdom with urban revolt, turning memory and militancy into a soundtrack for resistance.

O som da revolta

No seu terceiro álbum, o artista afro-português Scúru Fitchádu funde a sabedoria ancestral com a revolta urbana, transformando memória e militância em uma trilha sonora para a resistência.

Biya forever

As Cameroon nears its presidential elections, a disintegrated opposition paves the way for the world’s oldest leader to claim a fresh mandate.

From Cornell to conscience

Hounded out of the United States for his pro-Palestine activism, Momodou Taal insists that the struggle is global, drawing strength from Malcolm X, faith, and solidarity across borders.