I can’t say I was completely bowled over by Dinaw Mengistu’s first novel, “The Beautiful Things That Heaven Bears,” about an Ethiopian immigrant in gentrifying Washington D.C. (Some of my friends loved it though and most literary elites here raved about it: The New York Times Book Review, for example, deemed it one of “the notable books of 2007” and earlier this year The New Yorker included him, along with Nigerian Chimamanda Adichie, in its “20 under 40” list of outstanding young fiction writers.) Mengistu has a new novel, “How to Read the Air.” I haven’t seen or read it yet, so no judgment from me yet. The New York Times recently did a profile of Mengistu. Predictably they have to include a reference to his “exotic” name. There’s also this bit about his identity as a child of immigrants to the US:

In eastern Congo [doing research for “How to Read the Air”] he ran into problems trying to interview Hutu rebels from Rwanda, who … didn’t know what to make of him. “I could speak English as well as I wanted to them, but they could only see that my features are what they consider Tutsi, and that was definitely threatening to my life,” he said rather matter-of-factly. “They would look at me, and my translator would say, ‘No, he’s American.’ He was always very specific, telling me, ‘Don’t confuse them, don’t try to say you’re Ethiopian, just tell them you’re American, don’t complicate things with this extra layer, because nobody’s going to believe it.’ ”

The full profile here.

Further Reading

Redrawing liberation

From Gaza to Africa, colonial cartography has turned land into property and people into populations to be managed. True liberation means dismantling this order, not redrawing its lines.

Who deserves the city?

Colonial urbanism cast African neighborhoods as chaotic, unplanned, and undesirable. In postcolonial Dar es Salaam, that legacy still shapes who builds, who belongs, and what the middle class fears the city becoming.

Djinns in Berlin

At the 13th Berlin Biennale, works from Zambia and beyond summon unseen forces to ask whether solidarity can withstand the gaze of surveillance.

Colonize then, deport now

Trump’s deportation regime revives a colonial blueprint first drafted by the American Colonization Society, when Black lives were exiled to Africa to safeguard a white republic.

On Safari

On our annual publishing break, Gaza’s genocide continues to unfold in real time yet slips from public grasp. This is not just a crisis of politics, but of how reality is mediated—and why we must build spaces where meaning can still take root.

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.