Africa Is a Country

The Stories We Tell About Africa

Africa Is a Country Podcast
African Five-a-Side Podcast

The Stories We Tell About Africa

By
Sonja Sugira

Chris Abani's musings on telling African stories gets at just about everything Sonja thinks about as she encounters "Africa" every day, and then attempt to write about it.

A relief from the cover of Chris Abani's 2005 novel, "Graceland."

I’ve been meaning to post a brilliant talk from 2007 by the Nigerian writer, Chris Abani. It’s a TED talk. At one point, he says  “… the problem isn’t really the stories that are being told or which stories are being told, the problem really is the terms of humanity that we’re willing to bring to complicate every story, and that’s really what it’s all about. Abani’s talk gets at just about everything I think about as I encounter “Africa” every day, and then attempt to write about those encounters. Another excerpt:

“… There’s been a lot of talk about narrative in Africa. And what’s become increasingly clear to me is that we’re talking about news stories about Africa; we’re not really talking about African narratives. And it’s important to make a distinction, because if the news is anything to go by, 40 percent of Americans can’t — either can’t afford health insurance or have the most inadequate health insurance, and have a president who, despite the protest of millions of his citizens — even his own Congress — continues to prosecute a senseless war. So if news is anything to go by, the U.S. is right there with Zimbabwe, right? Which it isn’t really, is it? …

The truth is, everything we know about America, everything Americans come to know about being American, isn’t from the news. I live there. We don’t go home at the end of the day and think, “Well, I really know who I am now because the Wall Street Journal says that the Stock Exchange closed at this many points.” What we know about how to be who we are comes from stories. It comes from the novels, the movies, the fashion magazines. It comes from popular culture …”

The talk is a couple of years old so you may already have run across it but it doesn’t hurt to hear it again. It’s worth your 19:34. (Update: This is a higher resolution version than that on Youtube.)

On another note, Chimamada Ngozi Adichie, another personal favorite has been chosen as one of The New Yorker’s “20 Under 40” list of fiction writers worth watching, the first such list in more than a decade. I like this (even though we don’t much care for lists around here).

Further Reading

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.

The sound of revolt

On his third album, Afro-Portuguese artist Scúru Fitchádu fuses ancestral wisdom with urban revolt, turning memory and militancy into a soundtrack for resistance.

O som da revolta

No seu terceiro álbum, o artista afro-português Scúru Fitchádu funde a sabedoria ancestral com a revolta urbana, transformando memória e militância em uma trilha sonora para a resistência.

Biya forever

As Cameroon nears its presidential elections, a disintegrated opposition paves the way for the world’s oldest leader to claim a fresh mandate.

From Cornell to conscience

Hounded out of the United States for his pro-Palestine activism, Momodou Taal insists that the struggle is global, drawing strength from Malcolm X, faith, and solidarity across borders.