Bill T Jones’ “Fela!,” the musical interpretation of the life of the Afrobeat king, is up for 11 Tony Awards–the most of any show this year–including Best Musical.  I haven’t seen any of the other shows up for contention, but I can attest to the brilliance of the show. From Jones’ direction, to the acting of the leads Sahr Ngauajah and Lilias White, the set, the music and the dancers, and the  Well done. (I won’t get drawn into debates again about the show’s premise or omissions, whether ridiculous charges of minstrelsy or revisionism about Fela’s backward sexual politics.)

Well done.

Watch the announcements on The Tony Awards website just to hear actor Jeff Daniels–announcing the nominees–mangling the show’s title: “Feel-laa.”

Further Reading

Bread or Messi?

Angola’s golden jubilee culminated in a multimillion-dollar match against Argentina. The price tag—and the secrecy around it—divided a nation already grappling with inequality.

Visiting Ngara

A redevelopment project in Nairobi’s Ngara district promises revival—but raises deeper questions about capital, memory, and who has the right to shape the city.

Gen Z’s electoral dilemma

Long dismissed as apathetic, Kenya’s youth forced a rupture in 2024. As the 2027 election approaches, their challenge is turning digital rebellion and street protest into political power.

A world reimagined in Black

By placing Kwame Nkrumah at the center of a global Black political network, Howard W. French reveals how the promise of pan-African emancipation was narrowed—and what its failure still costs Africa and the diaspora.

Securing Nigeria

Nigeria’s insecurity cannot be solved by foreign airstrikes or a failing state, but by rebuilding democratic, community-rooted systems of collective self-defense.

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.