Sleeping Dogs

The poetry of Ronelda Kamfer sheds light on the still marginalized lives of South Africa’s “brown communities.”

Markus Vollmer, Flickr CC.

Recently the rapper Lee Ursus Alexander  introduced me to the work of Afrikaans poet Ronelda S. Kamfer. Born in 1981 on Cape Town’s Cape Flats, Kamfer’s poetry reflects her split upbringing on a farm and in coloured townships in Cape Town. In 2008, Poetry International described her work thus:  “Her best poems create a sense of inevitable expression, as if, despite the manifest freshness, they have existed since the beginning of time. However, it is not only in expressive power, which often characterizes the work of younger poets, that she shines, but also in her furtive, seering insight, not least into character. This gives the impression that she has a latent poetic reservoir.”

The website continues, “… Kamfer sheds a harsh light on the still marginalized life of South Africa’s “brown communities”. This shines on the racial faultline that continues to divide Afrikaner culture and on that uneasy territory where the Afrikaans language was integrated into the so-called Coloured community long before white Afrikaners claimed it it as the flagship of their nationalism and identity.”

My favorite Kamfer poems are “Noudat slapende honde“* (Now that Sleeping Dogs”), from her 2008 book (published by Kwela Books) of the same name, and “Klein Kardo.”

Here also a link to an interview with Kamfer by South African-based Dutch journalist Fred de Vries.

  • The hyperlinks to the poems cited in this post have been updated.

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.