#Kony2005
The writer revisits his notes from 2005 when he visited Acholiland, the site of a conflict between the LRA and Uganda's military.
The writer revisits his notes from 2005 when he visited Acholiland, the site of a conflict between the LRA and Uganda's military.
A group of black women, from Africa and its diaspora, decide to mess with Paris Fashion Week. Was it worth it? Did anyone care?
Among the most striking portraits in South African photographer and filmmaker Sydelle Willow Smith’s online portfolio
Cedric Nunn's photography reflects the complex emotions of his black South African subjects, their humanity, dignity, in very personal terms.
The photographer Aida Muluneh's work explores Ethiopia via identity, personal journey, and family nostalgia after a 30-year absence.
Guinean-Swiss photographer Namsa Leuba deftly "merges" aesthetic traditions.
Stanley Lumax (born in New Jersey, US where his parents, Ghanaian immigrants, settled) lives in Brooklyn.
By far the best place to follow Malawian news and politics is social media app, Twitter. It can be relied upon to be the very first place where Malawi’s breaking news gets to the rest of us.
This music video for Big Frizzle’s ‘All Black Everything’, produced by London-based media house GlobalFaction made
Born in Lagos, photographer and artist Abraham Oghobase still lives in the Nigerian metropolis. His work
On Thursday, July 26, the Michael Stevenson Gallery in Cape Town had an opening: Mo(u)rning. Photographic
My grandmother had a pub where wayfarers, fishermen, their wives, officers and anybody who had trouble
Kaleidoscope magazine has done an "Africa" issue; it wants to walk a fine line between identity politics and universalism.
Antoinette Engel, a documentary filmmaker and photographer based in Cape Town (and a friend of this
Mary Beth Meehan, an American photographer in the U.S. northeast photographs marginal people: immigrants and poor people, both black and white.
The text that comes with Agata Pietron’s photographs of youth in Kiwanja and Rutshuru (North Kivu,
The ‘Gaddafi Archives – Libya Before the Arab Spring’, which opened this week at the London
The London Festival of Photography has opened, and one of its most appealing features is an
Matheka, through his photographs, aims to instil in Kenyans, and eventually all Africans, pride in their cities and pride in their place within them.
Meaning is elusive in Cape Verde, but it does result in an existential limbo conducive to creeping, fretful madness.