• Orlando Reade

The artist Hassan Hajjaj frames his portraits of ordinary Moroccans with a neat shelf crammed with 7 Up and Coca-Cola cans, symbols of a burgeoning import market and aspiration.

• Olufemi Terry

The writer revisits his notes from 2005 when he visited Acholiland, the site of a conflict between the LRA and Uganda's military.

• Shamira Muhammad

A group of black women, from Africa and its diaspora, decide to mess with Paris Fashion Week. Was it worth it? Did anyone care?

• Tom Devriendt

• Sean Henry Jacobs

Cedric Nunn's photography reflects the complex emotions of his black South African subjects, their humanity, dignity, in very personal terms.

• Bukola Afolayan

The photographer Aida Muluneh's work explores Ethiopia via identity, personal journey, and family nostalgia after a 30-year absence.

• Emily Wood

Guinean-Swiss photographer Namsa Leuba deftly "merges" aesthetic traditions.

• Sean Henry Jacobs

• Elliot Ross

By far the best place to follow Malawian news and politics is social media app, Twitter. It can be relied upon to be the very first place where Malawi’s breaking news gets to the rest of us.

• Tom Devriendt

• Tom Devriendt

• Dan Moshenberg

• Tom Devriendt

• Orlando Reade

Kaleidoscope magazine has done an "Africa" issue; it wants to walk a fine line between identity politics and universalism.

• Orlando Reade

• Orlando Reade

Mary Beth Meehan, an American photographer in the U.S. northeast photographs marginal people: immigrants and poor people, both black and white.

• Tom Devriendt

• Orlando Reade

• Orlando Reade

• Emily Wood

Matheka, through his photographs, aims to instil in Kenyans, and eventually all Africans, pride in their cities and pride in their place within them.