In North Kivu, R&B is pure art

The text that comes with Agata Pietron’s photographs of youth in Kiwanja and Rutshuru (North Kivu, Congo) flirts with the clichés (the Conrad reference; the brave missionaries; the photographer is a “muzungu” who “discovers” youth who are into R&B and rap, wearing “Chinese made sportswear knockoffs”; and despite the “absurd” circumstances people have “strong spirits”), but her portraits are striking, and introduce us to a music scene we won’t find on Youtube. More below:

And the full series on Pietron’s website.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.