Now or never
Apart from a heavy Senegalese presence, this Music Break, No.37, includes some other favorites of this site: Petite Noire, Laura Mvula, Rachid Taha and newcomer, Napoleon Da Legend.
Apart from a heavy Senegalese presence, this Music Break, No.37, includes some other favorites of this site: Petite Noire, Laura Mvula, Rachid Taha and newcomer, Napoleon Da Legend.
“In Africa today, musicians keep in touch with global pop culture via the Internet and program
What The New York Times forgot to tell you about the explosion of digital music in Africa.
Africa is a Country has been a fan of Ghanaian-Swiss audio experimentalist Oy’s live performances for
It is hard to underestimate the importance of pianist Bebo Valdés’ contributions to Cuban music. “Bebo”, who passed
Not too long ago, a new video by Amadou & Mariam would have made a bigger
We hardly ever feature Brazilian music, and even less their take on Afrobeat. The above tune by
Malitia Malimob, rap music and the less glamorous stories of African migration to the United States.
Guest Post by Robert Nathan They’re not your average musicians. Sons of West African griots and
It’s quite a weekend for New York’s prodigal child. Hip-Hop, that burst of youthful energy that was
I have been a little silent lately here on AIAC. I’m gonna start posting more, although
Pretty much all of this week’s artist are regular guests on the blog. First up: Pitcho.
it’s underwhelming that despite its rich musical tradition, Angolan music is mostly known for a genre that roughly translates to "hard ass."
A post that takes a warm, nostalgic trip through an aspect of West Africa's rich musical heritage: Nigerian highlife.
One of my current favorite bands–haven’t seen them play live yet; they’re out West–is Bell Atlas.
Let’s start with two club tracks. It’s Friday after all. Above is a collaboration between Boddhi
Did Goodluck Jonathan allegedly take US $1m from an anti-poverty fund to allegedly bring Beyonce and Jay-Z to Nigeria in 2006?
Post by Addis Rumble * “Ethiopia is an island,” Vincent Moon explains. The French filmmaker has
A harp hard-panned to either side of the speakers constantly loops while a flute sample pulsates
Moses Molelekwa, the brilliant South African pianist, composer and producer died by suicide on 13 February 2001. Florence Mtoba, his wife (also his manager) was found with him; she had been strangled.