Dear Ann Coulter …
Ann Coulter, an American columnist who makes Richard Littlejohn and Donald Rumsfeld look like easy-going lefties,
Ann Coulter, an American columnist who makes Richard Littlejohn and Donald Rumsfeld look like easy-going lefties,
No, soccer is not invading the United States. It's been here all along.
The artist Mohau Modisakeng mines the contours of colonial and post-colonial history.
The messiness, subjectivity and imprecision of football are being eroded from the game, argues the Nigerian novelist and football fan.
Lesego Rampolokeng's tribute to an old school pioneer and one of the key builders of the South African hip hop scene.
Americans need recognize if they want to do good in Africa they need to partner with Africans or work in the US on policies that impact negatively Africans.
Why don't western friends of Africa not put pressure on their corporate and political elites to do more to combat hunger?
Every four years, this Ghanaian-American writer has to brace herself for the predictable slew of American media reporting about Ghana.
The real problem with the low appeal of "sustainability" and other dry development talk: they're vague, impersonal and detached. Not lack of dancing models.
Do White South Africans constitute a tribe and if so, are they guilty of tribalism?
The long histories of Africans in South Asia, including the case of Africans arriving as slaves in India and whose descendants are still in India and Pakistan.
The hype around 'mixed race' families ignore that it is not a new phenomenon, but been a central part of Dutch colonial history.
Interview with curators Sylviane Diouf (Schomburg Center) and Joaneath Spicer (Walters Art Museum) about the African presence in Western and Asian art.
Lettres du Voyant is a 40 minutes film made by Louis Henderson, a British filmmaker and
A very short introduction to Peter Mutharika, Malawi's new President.
It's unfunny and borderline offensive. But Late night TV talk shows can't get enough of it.
"Miners Shot Down," by director Rehad Desai, is a haunting and emotional documentary of the Marikana massacre in August 2012.
In Ethiopia the façade of legalism has become an indispensable gloss on political repression.
A short profile of the music scene in Cape Town is dominated by white shows – with a lot of electrocentric music and flashy strobe lights.
Forced conversion as a strategy exclusive is not to Islamist terrorism in northern Nigeria. Everyone's been in on the act.