
Pan-Africanism and the African artist
Meleko Mokgosi’s multimedia works offer complex views of history and powerful critiques of pan-Africanism and the postcolonial moment we are currently living.
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Meleko Mokgosi’s multimedia works offer complex views of history and powerful critiques of pan-Africanism and the postcolonial moment we are currently living.

In the documentary "Remembered Futures" the filmmakers interrogate the ways South Africans understand their own history and how this affects their futures.

South Africa may be Kabila’s closest bilateral ally and represents a key lifeline for his continued grip on power.

We asked the Africa Is a Country "office" to comment on Nando's new ad that is supposedly a comment on the widespread antiblack xenophobia in South Africa.

The film, "Come Back, Africa," first released in 1959, challenged how white liberals imagined black people or tried to shape their struggles in South Africa.

Will Barack Obama get a frosty reception when he visits South Africa this weekend?

This film "Mugabe and the White African," is too busy picking sides, to ignore and obscure land dispossession by Whites of Blacks, instead hoping to posit White farmers as outside of history.

Andimba Toivo ya Toivo, who died at 92 on 9 June 2017, was one of the founders of Namibia's modern liberation movement that led the fight for political independence.

Homage to Santu Mofokeng, photographer of quotidian black life in South Africa.

What would happen if people could transform state policy based on the principle of social justice? The AIDS struggle in South Africa has some lessons.

The writer Mphuthumi Ntabeni's new novel explores the deep history of colonialism and resistance in the Eastern Cape province of South Africa.

South African politics remain fertile ground for new orientations: mainly by black conservatives.

It may be better to ask what Nelson Mandela's leadership means for how we assess the state in Africa.


A new book explores the rationale of Israel’s efforts to expand its influence on the African continent.

On the screen, South Africa's TRC has invariably been sensationalized into a showcase of trauma-as-entertainment.

William Gumede, who wrote a book about the ANC, makes a strange and careless argument — without recourse to evidence — about the ruling party's fortunes.

Zimbabwe’s national football was under black control decades before independence — but the colonial legacy of racial segregation still haunts.


What might the fascination in displaying and seeing the body of “the criminal” tell us about South Africa today?