
Who's afraid of Michael Jackson?
The new Michael Jackson biopic turns a politically conscious Black artist into a raceless fantasy figure, erasing the civil rights struggles, global solidarities, and histories that shaped him.
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The new Michael Jackson biopic turns a politically conscious Black artist into a raceless fantasy figure, erasing the civil rights struggles, global solidarities, and histories that shaped him.

Why the ruling MPLA wants to control how we remember the murder of dissidents killed right after independence.

The El Foukr R'Assembly collective wants to challenge dominant ideas of African identity and cultural diffusion on both sides of the Sahara.

J.M. Coetzee wondered in the late 1980s what price white South Africans are willing to pay for fraternity with Black South Africans.

Music’s ingratiating moral mask has withered, revealing a disfigured face whose true ethical philosophy is, as Lauryn Hill once noted, “paper thin.”

Karim Wade, the son of Senegal's former president, is emblematic of how Abdoulaye Wade's family made the state their personal property.

The legendary Nigerian filmmaker, Tunde Kelani is considered the bridge between the first generation of Nigerian filmmakers and Nollywood.


Here's Hipsters Don’t Dance "Top World Carnival Tunes" for April 2015.


What a very white book launch in a very black neighborhood in downtown Johannesburg reveals.

Hipsters Don't Dance "Top World Carnival Tunes" for February 2015.

How Sudanese political satirist Khalid Albaih uses his art and writing to confront injustice, challenge authority, and highlight the struggles of marginalized communities worldwide.

The photographic record of an academic conference which key question was "How is technology rooted in a longer history of African experiences?"

While feminist movements have made significant strides in naming, recognizing, and advocating against femicide, the rest of the world appears disturbingly indifferent.

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, 'Joola Jazz,' reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.


There's even an album to advance this argument: "Beethoven Was African: Polyrhythmic Piano Sonatas."

Here's Hipsters Don’t Dance "Top World Carnival Tunes" for June 2015.

Colonial archives hold the violence of the past, but they also carry the potential for anti-colonial futures — if radically reimagined for justice and accessibility.