
The importance of cultural preservation
The multimedia artist Tunde Owolabi brings Aso-Oke weaving to gallery spaces.

The multimedia artist Tunde Owolabi brings Aso-Oke weaving to gallery spaces.
In the U.S., the past few months have showcased the power of social activism in bringing

Ever wonder what inspires an artist to paste red-lipped Cheshire cat grins over the mouths of

Okpako wants to show people as they see themselves but in a way that others can recognize themselves as well.

In a world dominated by social injustice, it’s uplifting to find someone whose creative essence is
I absolutely love photography. This might be obvious from some of the choices I’ve made for
In honor of the centenary of the Great War, Jacques Enaudeau and Kathleen Bomani set out

Annual review: Hipsters Don't Dance's "Top 10 African-Caribbean Collaborations" of 2014
Last week, I discussed the Trans-Atlantic Slave Trade Database and two of its offshoot projects, the African

The myth of an all-white, Christian German society largely persists. So does the idea that anyone

Can an African language literature prize be inherently Pan-African?

The last few years have revealed that, particularly at the state level, justice for Black Americans is an impossibility.

Nine conclusions we can draw from the hype machine that was the viral advocacy campaign, Kony 2012. One of them was that ordinary Ugandans saw right through it.

Designer Akosua Afriye-Kumi: "A lot of designers take or find inspiration from Africa, I want to do the same but actually be in Africa doing it."

Nigerian publisher: it is time the continent’s consumer class gets romance lit that is entertaining and reflect the complexity of their lives.

Hipsters Don't Dance Top World Carnival Tunes for November 2014.
When I was first given the opportunity to write this weekly series, I reached out to

Ruhorahoza wished he made "Sans Soleil" by Chris Marker: "The film is a good example of the work of a filmmaker who has reached maturity and an artist who is truly free."

Mainstream journalism must stop treating Timbuktu and Timbuktians as artifacts, focusing mainly on manuscripts.

It’s very difficult for Spaza (hip hop done mostly in Xhosa) and Afrikaans hip hop to organically co-exist.