• Liz Timbs

The digitization of oral histories of the 2010 earthquake in Haiti and its aftermath.

• Matthew Joseph Greene

It will be Moroccans overseas that will give Gnawa music and culture an extra push towards the center of Morocco’s cultural identity.

• Lwandile Fikeni

• Perivi John Katjavivi

An interview with Richard Pakleppa, director of 'Paths To Freedom', a film on Namibian liberation.

• Kylie Thomas

• Devon Leger

Rapper Chino’o talks about everything from immigration to police brutality in the U.S., and the future of Somalia.

• Boima Tucker

• Abraham T. Zere

• Ishtiyaq Shukri

Ishtiyaq Shukri writes about his deportation from London’s Heathrow airport in July 2015.

• Maria Schmidt

• Dylan Valley

Our short film of the creator and star of "Awkward Black Girl," Issa Rae, whose father is Senegalese and mother is African American and who spent part of her childhood in Dakar.

• Ts'eliso Monaheng

The Gqom sound runs the gamut of township flavor until it teases Afro-house and eThekwini (Durban) groove without fully admitting to its Kwaito influence.

• Harry Stopes

The Algerian novelist, Kamel Daoud, gives a name and a history to Albert Camus's "The Stranger."

• Sean Henry Jacobs

This Weekend Music Break, No. 83, features eighteen pop songs that can't be played on Nigerian airwaves. You can still listen on your phone or watch the videos on Youtube.

• Liz Timbs

The preservation of nostalgia by evicted black residents of one of Cape Town's now very white suburbs.

• ACCRA dot Alt

• Marthe Van der Wolf

For the first time, an Ethiopian film, "Lamb," was selected for the Cannes Film Festival. We interviewed director Yared Zeleke.

• Ananya Jahanara Kabir

‘Black Magic Woman’, by Azizaa, from Ghana, is a feminist reclaiming of the sacred from Christianity.

• Sabelo Mkhabela

The writer and musician Sabelo Mkhabela picks a selection of some beat tapes in his possession and writes about them for us.

• Boima Tucker